Printable Daydreams

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 The lovable Peach (Little Miss has settled into her name quite well) has been settling into life as a companion animal quite well. She is a cardio kitty, she loves to be chased, and she is an UP cat, she like to be up high, looking down at life around her. She also likes to eat plants, so I am going to have to re-home some of my green babies. But check out these cat shelves! Peach is shy to make the final jump to the top platform, so we may need to lower it. This morning, I encouraged and helped her to get up there. She is quite acrobatic.

Peach has been a blessing. I mourn the loss of my good Arrow, while at the same time, I honestly feel I need cat-energy in my life. I need to pour love into a furr being. I also believe that David and I share a bond based in our love for animals, specifically cats, that heightens and enhances our relationship.

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I am on a stamping mission right now, my creative synapses are firing and I am finding new and creative ways to get images out of my mind and onto the page. I am still working on The 20, but I have come to a halt because the Procion MX dye is washing out in an unacceptable rate-an so need to find a solution to the problem. Additionally, I need to find a new ink or manner to print on paper, as the Memento ink pads I am using are insufficient to the task.

If I were totally honest, I don’t like cheap art supplies like this very much, which seem like little plastic items, whose refills are expensive, I just keep thinking, there has to be a better way. But at the same time, I use these things and am getting some really good results. This particular stamp is too large for the Dew Drops, and so is actually insufficient to the task. Maybe I really just want to hear the the-thk-thk of rolling ink out. And I daydream about using watercolor pigments and rice starch, so I will find a solution, it will just take some time.

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 This set of stamps is loosely printed, I could print it ‘tighter’, but I like what is happening here. This is, of course, a self portrait, using this photograph, I have not quite figured out how to get the ‘goggly eyes’ to look right. I am still working on this. Stay tuned.

American Bittern, thought differently.

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 A few years back Pat Gaignat taught the Journal Study Gals her Faux Screen Printing technique. I remember feeling overwhelmed and not quite knowing what to do with myself or how to use it. Then I went home and started thinking about it and the technique just bloomed and became something quite interesting and useable. I have been working steadily with The 20 series, and have for the most part, used Pat’s technique step by step. But then, I started wondering how else I might use and expand upon the idea. 

And Oh-My-Goodness, I think I have come up with something very interesting. The American Bittern image, above, can be printed using any of 13 different stamps, and I still have a stamp or two that I want to make for the set. I really look forward to trying the stamps out, and will have time later this week.

And the interesting thing about this is, I can use any of the 13, some of the 13, or all of them. It is as if I can build each  image separately of the last. The image here uses 7 stamps to complete the image, so I have 6 more stamps to add shadow here, a compositional element there. I have to say, this is quite interesting.

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 Peach is settling into apartment living quite well. She did go into heat last week, which was interesting. The vet says they spayed her but that it must have failed. I don’t want her to have to have surgery again, but she does need to be spayed. She will go to the vet tomorrow. 

 

Working away

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 I have just 6 more birds from the list of 20 Common Birds in Decline to do. Today I printed 3 of 4 recently cut and mounted stamps, before I was stopped in my tracks for the lack of soda ash soaked cloth. And, while looking over the recent images, I think I should reprint two out of the last 4 anyway. I am at a stand still until the fabric hanging in the bathroom drips drip.

I love this project. I have never done anything quite like it before. Each image measures 2.5×3.5″. So they are tiny. I have not measured how big the cloth I am printing on measures, I just randomly chose a size and cut a bunch of squares. I left enough white so that when I begin to embroider them, they can have a border of white around them. I do fret about how they will wash up, so I am printing several of each image so that I have plenty of test pieces.

Yes, I am going to embroider, or stitch additional details on each piece. After the Deep Clean last month, I unearthed several of these stamps and dreamed up this project, so that I can utilize the embroidery floss I had been dyeing two months previously. I am happy to say that I am also restocking my studio supplies and I will be dyeing more threads, both DMC 6 strand and some silk embroidery thread I found off eBay, coming directly from China. I will let you know how it goes.

I have not forgotten that I am going to do a giveaway of Fuglies, and I do have a free class in the works, but my timeframe is much slower than it has ever been before. Please stayed tuned and enjoy.

Two Years

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Two years ago today, I was diagnosed with breast cancer. What a roller coaster this has been. Diagnosed, book contract, chemotherapy, surgery, radiation, making art, writing about it, Switzerland, Dreaming from the Journal Page, getting used to being a flat chested woman. Oh, did I mention the love and care that I was showered with while doing all of this? No. Well, I was, and am, really. I often think that cancer teaches me that I am loved beyond my ability to grasp or comprehend. There is grace in cancer and this is the gift it gave me.

Today, this month, I am focusing on settling, releasing, accepting who and what I am now. These last few months have been filled with anxiety and depression, neither of which I handle very well. None of us do. So instead of focusing on what I cannot change, or even the things I can change, I choose to immerse myself in making. I am focused on The 20 Common Birds in Decline, because I love birds, they calm and center me, I have a physical memory of drawing their heads, wings, evaluating where light hits their eyes. Making helps me to relax and relaxing is what I seek. 

It takes a fair amount of time to let go of the intensity of medical need, appointments, follow up visits, managing side effects and I am not out of the woods yet, I still receive monthly shots, infusions once every six months (next week will be the 3rd out of a total of 4), and I experience the effects of medically induced menopause. Ugh.

So I am making a concerted effort of focus on immersing myself in what makes me happy, content, able to look beyond this difficulty and to balance the crap with the fantastic. It is time to reset my outlook. Cancer sucks, but life, life does not and that is what I have now. Thank goodness.

Thank you for your love, care, appreciation and support. It has not gone unnoticed. I tend to keep the cancer narrative to myself, but I find I start feeling quite alienated by doing so. So there you have it. These last few months have been tough and I am ready to let it go.

 Phew. 

Four more for The 20

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I am plugging away at the images for The 20 Common Birds in Decline, in fact, I have 10 more images to go-I am half way there. But they are small, measuring 2.5×3.5″, so it won’t take very long. I am making them in groups of 4 and printing them onto cloth in one session. It is fun, in a very obsessive, compulsive way. I find a photograph that I like, I draw the image, scan and resize it, cut it out of Fun Foam, print it on watercolor paper, then using the printed card as inspiration, I print using procion MX dye on cloth. All while taking notes in my inspiration journal. 

Today I printed (from left to right), Little Blue Heron, Rufous Hummingbird, Common Tern, and American Bittern.

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This is an American Bittern, a private bird of marshy areas. Its coloring and mannerism can make it fade right into the landscape, making this a challenging bird to experience in the wild. I printed at least 4 of this image and I could probably print it again, to get it just right, the color is not fully realized. 

It feels good to work with images of birds again. I love birds and want to affect change in the way people think about them. This list was put together using citizen science by the Audubon Society. Chances are, you will recognize many of the birds on this list, if you are interested in helping them secure viable habitat, check this page out. Or maybe you have a bird feeder and would like to contribute to a citizen science project, check out Project Feeder Watch by Cornell or the Great Backyard Bird Count by Audubon (which happens in April and February respectively). 

Many of the 10 images that are in my future are tough birds to make images of, the like Whip-Poor-Will, a bird most often heard, but not seen, at night. And the Whip-Poor-Will is a primal looking bird too! So finding an image that will say, “Whip-Poor-Will” is a challenge. There are four Sparrows on this list, and I look forward to learning about and identifying them. Making art, exploring imagery that is interesting to me is a way of learning, I love taking out books, reading, searching the web and helping the data settle into my knowledge base. I have worked with so many images of birds, I now recognize them as I read my favorite birding magazines, because I am, for the most part, an armchair birder who longs for a feeder (and backyard) of her very own. 

Happy New

Welcome the new girl in town.

I have not blogged in about 3 weeks, if not more, and I apologize for it.

To be honest, I have been depressed and needed a break. The Newtown sadness affected me deeply, life has not been easy for a few months and it all came to the forefront and slowed me to a halt. Through all this, I have been applying myself creatively and even if nothing is lighting an intense fire, I am producing some great work over here.

In the meantime, David and I contacted an animal rescue group called Infinite Hope. Then we did some soul searching on what we might like in a feline friend. At first we thought kittens, exciting little fluffballs that we might be able to form and mold (think lap cat), but then we started to see all the adult cats who are harder to place because of their age, quirky health needs, missing body parts…

(Huh?)

Meet our new (as yet un-named friend). This little girl has had a full life and has done a great job of it so far. She was feral, got pregnant, had three kittens, managed to get all three kittens and herself trapped, adopted her babies out and then placed herself in her forever home. She got herself and her babies off the streets of New York City!

During her adventures she contracted ring worm which went undiagnosed. Her tail became so itchy, she chewed a portion of it off (missing parts, anyone? Some of the best of us are missing a few 😉 ). Her tail has healed, and is a great attribute! The rescue facility did two ring worm cultures to make sure there was no chance of a lingering illness and both came back negative. To have gone through so much and still has a great temperament? Wow.

I am so happy we went for a rescue cat and that she is so wonderful.

American Bittern

I have begun making my Deep Cleaning interview, but got distracted by The 20, so please-stay tuned, the interview/fugly giveaway will occur this week.

In the meantime, let me introduce the American Bittern. This bird is a marsh wader, from the Heron family of birds. This is a secretive bird, confident in its ability to camouflage itself by stretching its neck upward in a reed like fashion, the stripes on this birds body really help make it look reed-like. I am in knowledge expansion mode, and am keeping notes, drawing, perfecting the images I draw and documenting my process.  In effect, I am making a map, creating a learning journey for myself. Exciting stuff.

 You can also see that I am cutting a multicolor stamp (page 58-59 of Dreaming From the Journal Page). This is an ATC sized image 2.25×3.25″, as are each of the printed bird images seen in the last post. I love working small, so this too excites me. 

This American Bittern image is #7 out of the 20 Birds in Decline. I have 13 more birds to go. I really look forward to seeing all 20 images together.

More to come. I am going to be meeting with a friend today and need to workout, shower and get out of the house!

Be prepared!

My studio reorganization is now complete. I went through every single box, prison  8-O, drawer, everything. Wow. I am impressed with myself! Over the weekend I am going to film an ‘interview’ of myself and my space and reveal all I have done. This upcoming post will have a giveaway of some Fuglies (defined as a Swear word+ Ugly, and used, in this case, to describe some cloth I no longer want but did dye, stamp, resist and otherwise embellish). The stack is about a foot tall. That post will also talk about a 4 week free class that I will be conducting next month. I would love for each and every one of you to join along in this, so please stay tuned.

On Wednesday when I tackled my fabric bins, I was nervous. I tried to tackle this last month and got totally overwhelmed and put all the bins back in their place. Somehow, in my mind, this part of the studio was a huge mess. It was not.

I like to make cloth per project, I purchase per project, I don’t maintain a stash by any definition that we could both agree upon and if we were to exchange stash, you would probably be bummed out. Me? I would be jazzed! I definately think I would be getting the better end of the deal. But still, I went through every bin and reorganized them according to color and type of cloth contained within the box. The great thing about this project is that I washed cloth that had been printed, worked and created. I found some real gems!

I will do a posts about the pieces I unearthed.

In the meantime, I took out a project I was working on prior to signing the contract for Dreaming From the Journal Page, The 20. If you would like to browse some posts about this project, click here. I will be using these pieces in addition to some of the cloth I unearthed in the upcoming free class. 

Deeper and deeper

Deep cleaning sure takes a lot of work. I have been going through every bin and drawer, sorting, rearranging, recycling and getting rid of a few things. I haven’t gotten rid of much, really, I keep a pretty tight ship over here, but I have been stuffing miscellaneous items into the wrong drawers and bins for quite a while.

I have been thinking about what helps me feel organized. The main thing for me is, I don’t want to see too much visual clutter. If I continuously stuff items on top of bins, and do not clean up after an intense project, this is visual clutter. This does not mean that in the middle of a project that my workspace is pristine, not at all. When I am in the process of making a thing, my workbench and every surface around it is a total mess. It has to be this way. But! My goal is have all of my supplies, materials and tools easily accessible, so that when I am in the process of creating and exploring ideas, I don’t get tripped up by not being able to find particular stamp or stencil. Being organized also helps make clean up easier because everything has its place.

Last week, David and I were returning home from a walk about and we came across this Trofast (Ikea) wooden bin in someone’s trash. I already own 4 of these bins (with the drawers, not shown here), so we nabbed it and brought it home. I really like bins and boxes with lids. This feeds into my need for visual simplicity and also helps me define aspects of what visual clutter is: Visual clutter is the inability to properly shut a bin or drawer! If the bin is stuffed chock full? The lid tips? It drives me crazy. 

I really like being able to grab a box, bin or drawer and be able to get what I need, then put it away. Salvaging the Trofast bin created the need to purchase the matching bins to go with it, So I packed my bags with sweaters and socks and (Oh, sorry. That is a different story– one of my favorite childhood stories), and walked over to Ikea to get a few items to complete this organizational extravaganza.

The items in these boxes got reorganized and put into the Trofast bins. Like items together, I put some items into ‘deep storage’, others got grouped by type (sewing items, fusible webbing, printed sacks (which I have fallen in love with for some reason), and painting items each got there own bin.

I am sorry this photo is blurry. But I think you might get the idea that this pegboard bin had a layer of dust and grime. Well? No longer. Dirt and dust has emotional weight in addition to visual. I emptied each bin, got out a toothbrush and scrubbed it clean.

Deb Lacativa once told me that keeping beads separated by color and type was akin to a bead prison! And while I still chuckle at this analogy, I was never able to make leeway in changing my perspective. I like things sorted by color, type, need and project. This bead prison  😎 holds items related to purse making, rivets, button release clips, bells, and embellishments. So why have a stuffed brass letter stencils in there, when they could be more easily accessed in my new painting area. This has been remedied but is an illustration of just how deeply I want to clean and organize. There really is no use in having supplies if you are unable to find and use them.

And, I think this is really important too, ‘It isn’t the supplies you own, but what you make with them’! For some reason this jar of Presist became precious to me and I put it aside, I remember thinking it was expensive stuff and that I needed to hold on to it for the right project. Well, I don’t know if you can tell but it is dried up. I had to throw it away. To add insult to injury, this product is being discontinued! 

My organizational extravaganza is almost complete, When I am done, I will create a video and show you what is in each drawer and why I think it works well. In the meantime, perhaps you could encourage Mary Ann to get her sort on! Mary Ann posted to facebook that she hung pictures and unpacked 5 boxes, I want to see some photographs!

The monsters in my studio

The above cabinet is really a monster. I jam pack stuff into and need to pull stuff out and rearrange things every time I need something stored in it. My intention for this cabinet is to store items that will be used in wet work, In other words, soda soaked cloth, urea, textile paint, brushes that cannot be hung on peg board, aprons, soy wax tools, stamp pads, and a few other things that need to be in the studio room, like my wall projector, scale to weigh dye and so forth.

The way this looks when I open those two doors drives me n-u-t-s. Not to mention the books and magazines above.  The soda soaked cloth at upper right? I can’t grab soda soaked organza without pulling every little stuffed bit out with it. I use those plastic bins (blue and white) all the time and each time, I take everything out, place it on the shelf where the bins were and go about my business. Below that is were I store my handmade stamps, which I rarely take out because that means I also need to take out my freezer paper, parchment paper and zip top bags.

A few months back, I identified this space as a potential staging area for acrylic painting and I bought and installed the peg board, which  you can see under the plants. I began gathering the items that ought to go in this area but then, I did not finish the job and this table became the catch all for all things not on my workbench. And the area underneath became the place to stuff items I didn’t want to see. But I see them.

And here you see, oh gosh, a mess. I keep stuffing things on top of the bins, just to have a place to put them. Just looking at this photo makes me sad. Up at the top? I call that ‘deep storage’ That is where I put things that I want access to but don’t need in a snap. Sadly, I don’t use the stereo very often because my music and podcasts are in the computer… which, if I can wrap my mind around storing or getting rid of the stereo, could be more space for storage bins.

And here is my workbench with peg board attached. And although this looks decent, (I loves me some pegboard), there sure is a good deal of space that could hold more tools!

So: 

What staging areas do you need? Do you have to hop out of your sewing chair to grab a new spool of thread? Are your pens, paints, rulers and brushes close enough to your journals and canvases that you can simply lean over and reach for the fancy tool? What do you keep piling up and where does it need to be in order to use it effectively? 

Take all of these messy piles off their unintended surfaces and place them in a single pile in the center of the room. Get the trash bin, recycle bin, and a bag for the thrift store too. Deconstruct your piles by making more piles! This is going to look a whole lot messier before it looks better. For now though, if you find thread, place it on you sewing machine staging area, move on, this part of the project is about the big picture.

While you are ripping through your studio and putting stuff in its appropriate area, assess areas that could be used as ‘deep storage’. Look for small spaces that could neatly hold a thing or two (look under my workbench- there is a wooden wine box with a lid that holds all of my stencils and potting soil, both fit nicely and don’t scream, “Mess!”)

And remember, ‘Like Things Together’. Also remember, it is OK to donate, recycle and trash things.

My cleanly obsessions have inspired Pat Spillane to join in on the cleaning fun, please go tell her I said, “right on”.