Flat Closure NOW!

Miana Jun
Portrait from The Breast and the Sea by Miana Jun and Rebecca Pine

One can never be prepared to hear the words, ‘You have cancer’, nor understand its impact. With breast cancer, a body altering disease, it is necessary to make decisions about how you want to present your body by way of breast mound reconstruction, flat closure, external prosthesis tucked into a bra, or not. I chose flat and I do not replace my loss by wearing prosthesis.

Until my own diagnosis, I had not specifically met a single breasted or bilaterally flat woman. While I understand that one in eight women will get breast cancer in her lifetime, by appearances, it seemed all of them either reconstructed their bodies or wore prosthesis. It astounded me to see that the images on informational sites about breast cancer contained no visual reference to single breasted or bilaterally flat women. They allowed no indication of changes to the shape of the woman’s body.

This erasure made me feel as if my choice was rare, odd and abnormal. 

I began to question what women might need in order to embrace flat as a beautiful, viable option, after breast cancer diagnosis. My conclusions were and are, we need to be visible to one another, we need role models and we need clothing options that accommodate either the unilateral or bilateral loss of breasts. Fashion is a form of personal expression and contributes to our well being, a lack of clothing options forces us to present as if breasted, substantiating our invisibility.Quote: Flat Reclaiming My Body from Breast Cancer by Catherine Guthrie

Once my treatments were complete, I began seeking community in order to resume my life. This is when I learned that some women who chose flat suffer flat denial, either by way to paternalism in the medical community or a lack of surgical skill (Check out Not Putting on a Shirt) . I came to understand that my flat outcome was an ideal that not all women had the comfort of experiencing, when looking in the mirror.

This lit a white, hot, burning fire within me. Women were being denied their choice and  autonomy, while fighting for their very lives. I didn’t know the depth of strength or determination that would manifest itself within my being. I would never call it courage, it wasn’t that, it was a spark that could be quenched, in no other way, than to find expression. I -needed- to make the change I wanted to see in the world.

At first, I sought out public figures like Kathy Bates and Tig Notaro, both of whom had been diagnosed and chosen flat closure, by contacting their agents with pleas for help. Unable to make those connections, I stepped in front of the camera, nude from head to toe and used those pictures to make my statement. I became the role model I needed to see.

Since this time, I have come to think of myself as a ‘flat advocate’. I have stepped in front the lens of Charise Isis, Esther Haase, Damon Dahlen, Ryan Pfluger, Miana Jun, CBS Sunday Morning and I have a Great Big Story. 

And, well, it turns out, I am not alone in seeking this change. I have met so many beautiful, passionate and good women in the years since my diagnosis, all of whom also seek to populate and expand the ‘flat narrative’. 

Flat celebratory meeting

In joining Flat Closure NOW, I am integrating my advocacy voice, dreams and hopes into a group of passionate individuals who seek societal and medical change. Flat Closure NOW is an advocacy and educational non profit that seeks to empower women and their doctors in the aesthetics of flat closure as a reconstructive choice.

Please meet our board and founding members:

Sondra Price, a founding member of BS Breast Cancer, a supportive and inclusive website in support of all breast cancer survivors and thrivers. Sondra is President of Flat Closure NOW, where her experience in insurance coding will help us affect change to the WHCRA.

Melissa Jansen of I Don’t Need Two. Melissa is a fashionista to the flat unilateral cause. Her photographic skills place her fashion blog in high esteem within the single breasted community. Check out her videos, which arouse laughter to say the least.

Emily Hopper is a young mother and artist who created the Facebook support group, Flatties Unite. She also offers cancer patients fun, sometimes snarky and always empowering casual wear and household items through her store, Empowerhaus. Emily has a knack for cultivating community!

Katie P Fink is an artist, photographer and mother who runs ‘The Flat Advocate’, where she uses humor with audacity and verve to create images that speak to and elevate members of the flat community. Katie pushes boundaries in the most playful of ways.

Shay Sharpe is the powerhouse behind Shay Sharpe’s Pink Wishes an organization that educates, advocates, mentors, supports, shares resources and grants wishes to children & young women who have been affected by terminal breast cancer.

Kimberly Bowles created Not Putting on a Shirt after personally experiencing flat denial, Kimberly works to protect the interests of patients who choose to go flat after mastectomy. Kimberly made a fantastic contribution to the flat cause by shrining a light on medical malpractice in the breast cancer community to Megyn Kelly of the Today Show.

Catherine Guthrie is a writer and health/science journalist, who authored Flat, Reclaiming My Body After Breast Cancer. Catherine is renowned in the breast cancer community for using her power to give voice to those in need.

And last, but not least, Di Wright, a Canadian activist who seeks to change the narrative to include Flat Closure Reconstruction in events like Breast Reconstruction Awareness (BRA) Day. Di is also founder of Flat in Canada: Support and Advocacy.

And hey, did you know that I am cofounder of My Flat Friends? A support group for all reconstructive types with a focus on Flat Closure, because we ALL have flat friends.

Birds and Fleur de Lis

Carving rubber stamps is my favorite printing technique. For years, I used grey rubber, but when Lisa Chin introduced me to Inovart Eco Carve, I changed loyalties. I did so because, Eco Carve is firmer than the grey stuff, though it carves like butter. The firmness allows for finer lines.

Check out this time lapse instagram video of me carving the Bird and Fleur de Lis pattern:

 

 
 
 
 
 
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Its like being #hypnotized #handcarved #rubberstamp #repeatpattern #fleurdelis #birds #textiledesign #surfacedesign #surfacedesigner #handprintedtextiles

A post shared by Melanie (Melly) Testa (@mellytesta) on

I continue to swatch and print a new color triangle and am happy to say I am past the half way point. I have 15 colors swatched in gradations of four each. This means I have 13 more colors to go. Woot!

Soon, I will have 4 color triangles to choose colors from! I am a greedy little dragon! I want even more triangles! 

With each color grouping I swatch, I am using a new multicolor print set. When I am finished with this new color triangle, I will have, So. Much. Fabric!! And there is nothing wrong with that.

Falling, it’s not all bad

So, I took my first outdoor fall off my skates, I fell twice, actually. I did not hurt myself. I was wearing wrist guards, knee pads and my helmet! All geared up. Yeah, it startled me. It hurt momentarily. I do have a bruise, maybe two. In all of the videos I have been watching, they say, ‘If you are going to skate, you are going to fall.’ It really wasn’t all that bad! 

I totally feel successful about falling today. 🙂

Fitness and taking up space

I am loving learning to roller skate. I just love it. I want to, one day, feel totally comfortable, on wheels, as if they are my feet. I want to dance on my skates. I want to street skate.

Until now, I have been visiting roller skating rinks around the city. The rinks allow me the safety of a flat, smooth surface, leveling out the playing field and allowing for a cleaner, smoother practice. But it is quite unlike street skating.

So, I packed my backpack up, skates, wrist guards, knee guards and helmet and I walked to IKEA, down in Red Hook, Brooklyn. I told myself that I was merely, taking my skates for a walk, in case an area looked good for a trial run.

It worked.

Now, I have to say, I confront my demons in doing this. It is difficult to feel vulnerable, outside, while moving on wheels, especially as I learn. But I want this. I want to take up space in this way. I want to learn to dance as I skate.

We women are often fed a line that says we should defer, make ourselves smaller, make room for others, not that we need to listen to this societal conditioning, but the messaging is there. Skating feels like the opposite to me. It raises me up by 4-5″, it makes me protect myself with gear. It makes me seek self efficacy and it puts a smile on my face too. I will get better at this. I will feel less vulnerable and more empowered soon.

It is OK to take it slowly and to learn throughly. This space is mine.

 

 

 

Moxi Melly, beginning at the beginning.

Fitness is my love. It is a benefit from being diagnosed with cancer. It is one thing that I can do to instill a benefit, without popping pills. It is fun. It helps keep my weight at a comfortable place. It helps me feel confident and engaged and it helps me feel and know my body. Little did I know, when I started this journey, what else that would bring.

Two years ago, my Man and I started walking-what for us are, long walks of four + miles per day. We explore Brooklyn, crossing over either the Brooklyn or the Manhattan Bridge, into Manhattan and then meander the streets, filling our eyes and ears with our urban surroundings. We prefer the Manhattan because its got a great view of the Brooklyn Bridge and less people!

I started dance walking, which looks like skipping, lunging, sashaying and prancercise, all rolled into one. This allows me to get ‘extra cardiovascular exercise’ in. It’s a boon too, in that it helps me embrace my authentic self and it anneals me to what people think. I no longer care about looking the fool, I would rather have fun and enjoy myself.

So then, I came upon Gypsetcity (aka Coco) on instagram. Coco uses roller skates to navigate her city, to dance, to enjoy herself. I became smitten. I could imagine myself dance skating the streets of New York City! So for my Birthday, I got a pair of purple Moxi Lolli roller skates and signed myself up for a workshop by Coco!

Now, I begin learning to propel myself forward, to stop, to settle on my feet, as I move through space, on wheels. I am committed to using a local roller skating rink for now. I feel I need the flat, controlled surface-for now. I have a little less than two months to get comfortable with it all before the workshop. And, well, I am doing really well. Today, I loosened up. I was fast. Slow. Nimble. I slowed down and shifted my weight to make swirly lines. I did bubbles.

I am watching Dirty School of Skate, Indy Jamma Jones to learn. It is a great adventure! It makes me smile a lot. Love and Happiness!

 

Again, again.

A little more than a month ago, I had an exercise accident that derailed my blogging efforts! It certainly took me off my feet! I tore my right calf muscle. I couldn’t walk for close to two weeks! It slowed my art making down, it spiraled into taking a break from everything in my life.

But!! It can’t be all bad! My birthday came around (it’s a big one, 5-0), and… I got a pair of Purple Moxi Lolli roller skates! I know! How does one go from leg injury to roller skating? I assure you, it makes sense to me!

I have been printing too! I have 12 of 28 new colors swatched, in all four values, and I am in the midst of printing my newest multicolor print sets. When I am finished swatching the entire color triangle, I am going to have a boat load of new fabrics to begin piecing quilt tops! Please, check out my art insta, to see many recent prints from all of these groupings.

These will be small quilts, as I am printing just 27 fat sixteenths with each grouping of three colors mixed. This isn’t a lot of fabric, each collection will need to be paired with commercial, low volume or single color prints. And, well, that’s exciting!

I will leave you with a photograph of my Man and I, celebrating during my birthday weekend. I am grateful to be me, 50, a goofball artist and fitness enthusiast, who wants to dance roller skate! I am glad you are here and interested in my shenanigans too. 

Sometimes Lessons are Re-learned

Over and over again!

This week, I continue the journey of swatching a new color triangle, while also printing my most recent textile designs. I have chosen three colors and mixed them in all four gradations. The scissor print you see here is a three color design. The scissor layer was printed using Thermofax screen print, The background and the coloring of the scissors are done by way of fun foam stamps.

As I had mixed three colors, I printed 9 scissor layers in each of the Dark values, so that I can then print 3 Pale backgrounds, 3 Light backgrounds and 3 Medium backgroaunds each, before beginning to print the third and final color. BUT. I forgot to label the ‘Top’ of the Thermofax scissor layer and I ended up flipping the layer over and printing the repeat backward on 6 of the yellow/orange coloration. My fun foam stamps cannot print backward. Ouch. 

So, I labeled the Thermofax screen, mixed some additional yellow/orange and I am about to replace the backward prints. Don’t worry, I will be able to use the backward prints! All is not lost, I just can’t color them with the stamps I have created for the purpose. 

I am giving Live updates about this project in our FB Community group by the same name, Playful Fabric Printing. Please join us there!

StencilGirl Stencils (a SALE) and The Motif Maker’s Zine

StencilGirl Stencils and The Motif Maker’s Zine

Tomorrow!!!

June 20, 21, 22, StencilGirl Products will have a

Melanie Testa stencil SALE!!!

21% OFF     Scroll to end of post for the discount code!

If you haven’t already bought every stencil in my line, I wanted to let you know, it’s time to make a purchase or two!!

I am writing the Motif Maker’s Zine -as we speak-. I plan to print the first three within the month. In this offering, I am using my StencilGirl stencils as a jumping off point to discuss repeat design and motif making skills, for the textile/surface design artist. The zine is a visual feast of pattern, motif, texture and prompts to get you printing and creating your very own motifs.

The Zine is written in such a way that it relies on the text of Playful Fabric Printing as a support and learning opportunity. At 15$, this book is a deal. So please! Stock up on my behalf. Every sale is appreciated.

And soon, we will get to learning all about motif making, repeats, single color designs and designing textural elements through, The Motif Maker’s Zine. Please, stay tuned. 

The Cancer Journals Revisited

This weekend was the world premiere of The Cancer Journals Revisited, a documentary by Lana Lin, shown at BAM (Brooklyn Arts and Music). I participated in this documentary alongside Shay Sharpe, of Shay Sharpe’s Pink WishesEricka Hart, Barbara Hammer (who has passed away), and more. 

Check out the trailer!

The Cancer Journals Revisited centers a discussion of breast cancer around Audre Lorde’s book, The Cancer Journals and the film expands upon the exploration of racism, environmental issues and how women are made to feel their presentation matters more than their health when facing a life changing diagnosis.

Lana  did so well in presenting this issue from a predominantly black, brown, and queer perspective. Which is as it should be. Black women and queer folk are diagnosed at much later stages and have less access to quality medical care. 

My good man accompanied me to see the documentary as well. When we left the building, he said to me, “You should be proud of participating in that, it was really good. I would like to read the book.” which touched me deeply.

Lana is working on getting this film picked up for distribution.

27 prints, before steam and boil.

This Fleur de Lis pattern is a three color print, utilizing a thermofax screen print for the line drawing, and a two part fun foam stamp set, to print the background and the inside of each Fleur de Lis.

I tried to plan out what colors would get printed and where. I tried to adhere to my plan too, but my dyslexia got the better of me. I transposed numbers and generally got happy and forgetful of my intention. I am not worried though. These colors go quite nicely and these are a great set of quite usable fabrics.

(Sorry this photo is not upright, the blogging software is being wonky and I tried to fix it, but no)

I will use the remaining unused dye in single-color, supportive prints. I hope for equal numbers of prints, but we will see what happens. In the meantime, it’s time  to steam and wash.

Take note of the color intensity there! It will lessen some with steam and wash! It’s part of the process, and so, it is expected.