Many Mellys

Brace yourself, this is a long one.

MellyBehaved

In the above photo I am wearing a Handful Bra with padded inserts and the camisole I am wearing says,

‘Well-behaved women seldom make history’.

This week, I read Stephanie Forsyth’s post called, ‘I Yam What I Yam‘, where she talks about being a potty mouth, beer guzzling, super-rad, quilter chick who doesn’t want to put on airs to please anyone else. Well? She stirred the pot and now I want to write a similar post.

I have kept this blog for many years, I was an early adopter and was blogging when few quilters had blogs. I published Inspired to Quilt in 2009 and my latest book in 2012. For years I thought my ‘audience’ was traditional quilters who had an artistic side that they wanted to indulge. I don’t think this anymore. I think I have gathered a community of artistic people and that I am a member of an artistic community who are interested in expanding and growing visually, many of these people know how to quilt traditionally, but only do so occasionally or under duress. 🙂 (I am kidding about that part.)

I have a personal history of catering to a ‘presumed audience’, with biases and traditions that do not apply to me or my work. In the face of this, I have held my tongue in fear of offending a potential reader of my blog and books.

Want to know some of my thoughts?

I don’t like the term quilt art. I think that the focus remains on quilt in the traditional sense and not art. When we show ‘quilt art’ in quilt shows, it separates us from the art world. Quilt shows provide space to show (which is wonderful), but degrades the ability of the quilt artist to be taken seriously in the art world because the focus is on conjuring as many categories as possible, so that as many quilts as possible can be shown. At the same time, quilt art is often judged by traditional quilt standards, when it does not seem that the judges are well versed in art history, tradition or technique. Many quilt shows also run along side consumer events which is an engine in itself, and a bit of a distraction from the event itself.

I argue that traditional quilting is a fabulous craft (This is not a bad word! Rather it is a respectable word used by people who hone their skills to high standards, to present beautiful and functional objects), and that art is art, non-functional in use, perhaps inspirational or confrontational and artist’s must learn many skills too, drawing, composition, color theory, history, materials and how to use them, to name a few. Artists cannot and should not work in a vacuum and I fear that many quilt artists work in the vacuum of the traditional/quilt art community.

I think it is great to have quilt shows (I both participate in and enjoy them), and understand that quilters have gone unnamed and and created works in anonymity for much too long, perhaps our need to fit as many categories as possible into each show is as a result of this. I don’t mean to say that I don’t understand how difficult it is for female art to get seen either, these shows do wonders in this respect. I just wish that the cross over between the quilt art world and the art world was not so vast and I question weather we do ourself a disservice by showing our work in insular, mixed focus environments. It is almost as if we parallel play with both the traditional quilt world and the art world.

And don’t get me started with ‘crafty art supplies’. I want my pigments and paints to mix to the color I-intend-to-mix and use, and so I want them labeled with pigment names and numbers so that I can get the repeatable results no matter what sub straight or media I use the paint on. I do not like using supplies whose real intention is getting me to purchase brand name refills.

Phew.

MellyKWest

Now onto some other topics that I would like to open up and explore in this space. It is no secret that I had breast cancer and that I opted out of ‘reconstructing’ my body. Choosing not to reconstruct and not wear prothesis is an interesting proposition. If you look at the numbers, 1 in 5 American women have (immediate) reconstruction after breast cancer treatment. This means that 4 out of 5 women are… wearing prothesis? I don’t know. If these numbers are right, there are a fair amount of Very Quiet Unobtrusive Women out there. Luckily for me, there are also a good number of women who are banding together to create community based on our Flat and Fabulous perspective. If you are flat and would like to join a private group for some support, comment and I will hook you up.

It may be a good time to read my Role/Reboot article on this topic.

So I wonder, why are all of these women being so quiet, where are they, why can’t I see them? Why are there such expectations for conformity and body image? After surviving breast cancer treatment, why is the human body, with all of its beauty and will to remain healthy, not enough? Must we put on the prothesis and carry on like nothing happened? Must we hide behind a body image standard that is no longer possible as a result of this disease? Is it because breasts make us female, womanly, feminine and without breasts we are…inadequate?

Recently I have begin to think that perhaps I am gender queer. I do not think similarly to the mainstream, I do not think you are either male or female. Gender is not a two way street. I don’t think this is a discussion about gender at all, but rather one of being human, open, compassionate, willing to accept difference and if need be to celebrate that difference. What makes this a discussion of gender is that mainstream society, and even the breast cancer community does not question the ‘breasts make us female idea’ often or thoroughly enough.

Are my scars, gotten through battle with breast cancer just too scary to contemplate? Is it freightening to know, to see, to understand that women get scarred from breast cancer?

Please watch this video:

The Scar Project from Sara Dehghan on Vimeo.

I really like and appreciate the work David Jay has done with The Scar Project. He has opened the door for a more thorough discussion of breast cancer, reconstruction and opting out of reconstruction. The above video rubbed me wrong when I first watched it. Now that I have had some time to think it through, I understand that what rubbed me wrong. David Jay was shocked to see the removal of a breast. Women’s breasts are sacrosanct, revered, used (and abused). David Jay made me realize that society is not acclimated to seeing women have scars, get scarred, or be scarred. As more women like myself begin to talk about our experience, and embrace the choice of Going Flat, as I like to call it, this body image will gain greater acceptance. And hallelujah! (When one of the plastic surgeons I interviewed said that ‘reconstructed breasts looked good in clothing’, he meant it, and to me, the amount of time spent on creating the look of breasts without the sensation or function is not worth the risks).

All of this is to say, my feminist head had been reared and I don’t feel like holding back anymore! Breast cancer is not going away any time soon, unfortunately. If I can be a voice for a simple, noninvasive and really quite beautiful result-bilateral mastectomy without reconstruction, I will and gladly. (In fact, I am actively doing this, the breast cancer support forum I use has no pages on what to expect when opting out of reconstruction, no pages on what to discuss with your surgeon, if you need a plastic surgeon, or what testing proceedures to expect after having bilateral mastectomy without reconstruction. I asked why this is and now they are creating content that says more than, “Some women decide not to have reconstruction and opt for a prosthesis instead.” And I got myself invited to a luncheon presented by City of Hope where I hope to make connections and to network on behalf of women who opt out. Doctors and nurses fall prey to societal expectations of the female form too! And I have the energy to speak out.)

MellySassy

And last but not least, goodness gracious, have I been having fun lifting weights! I have never been into exercise, but when I was diagnosed, I knew it was the one thing that might help me fight disease, it is an action that I can accomplish to help my body function as well as it possibly can for as long as possible. This space will not become a fitness blog, not by any means, but I will discuss my gains, how it makes me feel and I may well show my ‘guns‘ every now and again.

I am tired of not being fully present to myself. Not voicing my thoughts, needs, concerns. I have faced my mortality and do not want to live by half. So, thank you Stephanie. Thanks for speaking up on your own behalf and helping me do the same. And hey, if you, dear reader, don’t agree with me? Speak up! Minds are made for changing and my opinions and thoughts are no more important than yours.

working out the kinks

MTestaFruit

I am working hard behind the scenes here, at Studio Melly.

A few months back, I was printing some birds from The 20 only to find that my wash out rate was too high while printing with Procion MX dyes on cloth. I wasn’t getting the intensity of color, or the bold, bright colors I had come to expect. All printing with MX dyes came to a halt as I looked for help. 

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I contacted Carol  Soderlund, telling her of my frustrations. I have been a student of Carol’s, I took her Color Mixing 1 course and have and use her book of 1000 repeatable colors. I use the nine colors she uses so that I can mix and use colors from her book if I choose to. Beside which, I understand the usefullness of working in a limited palette and the 9 colors Carol gathered together and uses in her classes have equivilents in the other media I use, so, she did the work of gathering the colors and I use them! I am a good student that way!

I connect with Carol as my teacher, and happier still, as a friend.

I reached out to Carol, seeking help in identifying and applying solutions to my lapses in Procion MX dye use.  

And, OMG. Thank goodness I did!

Carol is tutoring me through most of  Color Mixing 2 class ( which she will be teaching at ProChem this October, and, even though I am being tutored, I want to sign up and take!!!).

What a resource!

Carol is leading me through ‘Procion MX bootcamp’ (I made that up, I am reading too many fitness blogs!). It is fantastic. I am now getting the results I expect to see. And it wasn’t that I didn’t know all of these things before, I got lackadaisical. Not a good idea, Procion MX dye requires our full attention when we use it. 

MTestaFruitT

It seems I need Tune Ups all over the place: One of the things about cancer or living with the effects of treatment, is facing the need for acceptance. Self acceptance. I accept I had cancer. I accept my energy levels, intentions, focus, abilities have changed as a result of cancer treatment.

I have never had to manage energy before! And as a result, accepting these changes as I experience them is interesting to say the least.  Contemplating these changes can be a burden, and sometimes even a joy, I suppose it is down to the moment and whatever emotions are present at that time. But even still, I now have discussions with myself about my abilities and limitations. (and yes, I understand my output is above average, so I am mourning the loss of a small percentage of ability but this does not mean that I don’t continue to hold myself up to previous standards). I am able! Thank my lucky stars. I am just changed. 

My cognitive function is just, well, different. I hope that mental function in those realms will increase, open, expand and think that working with multicolor printing from start to finish is great mental food. Creating these images is like mental candy, they are very stimulating to make. I love figuring out what needs to be white, how I might add shading, what needs to stay and what needs to go. And it does not escape me that I am building little puzzles. Little intricate puzzles, I am thinking from the back, forward. I am mentally stretching.

In fact, this is intentional, I want more and better brain function! And I figure, if I can nudge the process along while having some good visual fun, why not?

So, not only am I learning proper printing technique with Carol, I am hoping to expand my brain box at the same time! Not too shabby.

MTestaRoses

 

Strong Curves

Strong Curves

The week I was diagnosed with breast cancer, I realized the only thing I wasn’t doing to be the healthiest person I possibly could, was exercise. When I told my breast surgeon that it was time to start, she laughed at me and said, “you get diagnosed with breast cancer and you think it means you should start exercising?” I raised my shoulders in a shrug, ‘Yeah!’  

I have never related to running and have no interest in spending time on tread mills. I started reading about how to lift weight, the effects on the female body, and I started surfing the web for women’s weight lifting and fitness blogs. The results I saw in women who have been lifting weights for a while were amazing, muscle definition, strength, pert pretty butts, who knew! I found Marianne Kane’s website, myomytv and began working with her over the internet. We use skype to work on proper form, email to ask questions and now, after 6 months or so, I too am seeing some great results in my own body.

During this time, Marianne turned me onto Bret Contreras and Kellie Davis who just recently came out with Strong Curves: A Woman’s Guide to Building a Better Butt and Body. Bret calls himself the Glute Guy, which is his area of study in sport science, he is passionate about The Bum and this book is a testament to his passion. Beside which, how funny is it that he calls himself the Glute Guy? And Kellie? She is awesome, her body is gorgeous, and if you check out her web site, she wasn’t born with perfect genes and gorgeous glutes, she earned them with hard work.

This book is a veritable bible for training women (although it could be used by men too). Strong Curves is 320 pages long, it is filled with full color photographs of each exercise, contains several 12 week programs to get you started. It also explains how to use the information within the book to maintain and build upon what you have learned. I admit, there are a few paragraphs that might have been edited out, but (or Butt-as the case may be) even if they were edited out, the book would not be much shorter for having done so and the information it imparts is well worth the read. If you are looking for an exercise program that will help you get the results you want? I thoroughly suggest you purchase this book. I love my copy so much, I had the binding removed, the cover laminated and a spiral binding placed, now my book opens flat.

And if I ever have a question on what exercise to substitute for a Romanian Deadlift? I know where to turn (and so does Peach, who wanted to be included in this post). I may even join Marianne, Kellie and Bret’s online community called Get Glutes.

 

Still Here, after all these years.

Peach

I have been quiet for a long time. I am well. I am feeling better and better and have been sinking deeply into my creative process.

To be honest, recovering from cancer treatment and getting used to being a flat chested woman is not easy. There are the physical concerns, feeling as if I have a tight rubber band around my chest, feeling physically constrained from the cording or Axillary Webbing. And there is getting used to not having breasts in my relationship with my husband. All of this takes time and patience. I am not one to easily step back and allow time to work its wonders, I am a go-get-em sort of gal, so I am working on my own sense of timing while pouring myself into my work and feeding other aspects of my person.

This blog and The Clever Guild site have gone fallow during this period. While I apologize for this, it seems it is plainly needed and beneficial. Since I started this blog almost 10 years ago, I have never allowed myself the luxury of letting go and not checking in. While I hope to start investing in the blog and my virtual narrative soon, I would like to ask for your understanding while I gather my pieces, parts and selves back into a healthy whole again.

Luckily, I have found a Chinese medicine practitioner who will be helping me with my scars and range of motion issues.I had my first appointment yesterday and I have high hopes of feeling some relief in my body while working with his protocol. He would like me to do stretches, scar massage, and Chi Gong in addition to weekly visits for a few more weeks. It feels good to step away from western medicine doctors and take some more control back.

Miss Peach continues to fortify our hearts and illicit big love within our family and home. Today she will be having some blood work done in preparation for her next heat cycle and hopeful respay.

MTestaFloral

 This is a strike-off of a multicolor set using paint on paper. I rather like the design, it taught me a bit more on setting up repeats and creating an all over feel for the eventual image. I have been delving into mediums that help create the correct texture for printing with a brayer. Initially I thought it would be tough to figure out, but I think I almost have that down too. I am just trying to figure out the proper ratios so that the paint dries as quickly as possible.

MTestaStamps

See? I have been quite busy over here! I don’t know how many stamps, stencils and images I have made in the last two months, I could count them, but no.

MTestaPrints

I much prefer to continue carving, cutting and figuring out the repeats as I go.

 

Printing, printing, printing.

DSC_0056

I have been printing away over here. Some pieces are batching, some washed, some on paper, some cloth. Today will be a continued day of printing. I find I like working small. These cloth pieces are about 8×12, or just a bit bigger. Previously I worked on fat quarters, 18×22″ or so. I find what works best for me now, is to rip those fat quarters into fat eight(?) or is it now, fat sixteenth? I will mix an interesting set of colors and then print as many sets of multicolor stamps, stencils or  jobbies as I possibly can. At the end of the day, I have entire groupings of cloth. It is almost as if I went to the quilting store and bought a full line of prints. Except I made these! This is very exciting.

DSC_0057

I really should do a pictorial inventory of all the projects I am working on right now, it would help me see the forrest through the trees. 

I find that even though I no longer have breasts, I miss the trappings of womanhood, seeing the outline of a bra under my shirts, taking it off at the end of the night. For women who had bilateral mastectomy, there are a few bra options out there or maybe just one. There are ‘bralettes’, though I think these are generally geared to teenagers (cheaply made in bright colors), camisoles, half camisoles, but really not much in the way of ‘under clothing’, and hardly anything that doesn’t push prothesis down your throat, as if you want to wear them. So I have been playing with the idea of making my own under things. The piece at the top is a trial sample, and I have to say, it works well. It looks good.

Seeing as I made my own pattern (and it worked), I figured I would go ahead and start using Natalie Chanin‘s techniques from Alabama Studio Sewing + Design book. I look forward to seeing how this piece turns out. The ‘bra’ at right, the one being stitched is smaller (less coverage) than the finished one it rests on. Perhaps I can perfect the pattern and make a set, so I can wear them whenever I want to! Perhaps I should make a printed and patterned bra (now we are talking).

I do need to shop the notions stores in the city and find suitable connectors and fasteners. Oh, darn!

Relearn

Procion MX dye on cotton broadcloth

I have become lackadaisical in my use of Procion MX dyes, so I asked a fabulous teacher, who has had a profound effect on my own work with MX dyes to help me troubleshoot and identify my issues. If you know me, you might know who I am talking about, but because I have not asked permission I will leave her name out of this post. The piece you see above has been printed and batched, not washed. I look forward to seeing what my washout results show me. 

In the meantime, I can tell you that batching seems to be a large part of my problem and although I have identified a problem area, I still have lots of questions about how to work in my style while following the tenets needed for colorful success with MX dyes.

The above cotton broadcloth was printed using a mix and match of stamping techniques and the stamps are created in a loose repeat. My training as a textile designer has been making itself useful in this respect. Putting a design into repeat in a home studio is not easy, so I am using the term loosely.

One of the effects of working in this manner is the ability to maintain areas of white, which seem to glisten and sparkle. Saving areas of white is so important and often goes missing in our frenzy to dye, print and play. 

Scored Rose pattern

 I like this print a bunch. I see additional layering possibilities but have not figured out what I would like to see, so it remains a lone rosey stamp.  

Multipass

MTestaDittyThe title of this post refers to the movie The Fifth Element, with Mila Jovovich. Mila’s character wants to travel and needs a multipass to do so (a multipass is a sort of passport). She goes to the airport and looks at the gate keeper and repeats the word, ‘Multipass’ in an accent that has stuck with me since watching the movie. As I delve deeper into multicolor printing, I keep repeating the word, ‘multipass’. I know it is a thin connection, but, I loved that movie and the elastic band outfit that Mila got to wear. 

I am carving this ditty of daisies within ovals and this is the last time you will see this plate looking quite this way. My task for the morning is to remove the background of the stamp, making it more of a simple line drawing. My hope is to print it as a background of the blue cloth pictured underneath the stamp, above. I don’t know if I will print it in Procion MX as the cloth is printed now, or if I will embrace another layer/texture in paint. I do like combining the luminosity of dye with printing in opaque paint. I think it elevates the cloth to a more commercial look. 

 

MTestaDitty2

For my own records, I printed the stamp the way it appears right now. Perhaps I will have this made into a thermofax. 

 

On my desk

MTestaDesk

I am happy to say, I am on a creative roll, an amazing stint, where all I have been thinking about and doing in the last few years is coming together in new and exciting ways. It seems I am no longer concerned about what media I use to express my vision, cloth, paper, it does not seem to matter and better still what I am working on translates to both substrates. I am off and running on the concept of multicolor printing. And it seems that with each success, another avenue of exploration opens itself up to me. 

MTestaMultiNo

This is a strike-off, a ‘trial and error print’ that failed to make the grade, that is why you see the red x’s in the lower right (Red x’s mean NO!). I like it a lot, but this printing taught me the order the different layers need to be applied in. As you know, if you have been following me, my blog and creative process, I like clean lines, fresh ideas and a pristine presentation. This print appears gritty and slightly blurry to me. I like the grit and can work from that, but I don’t like the blur. So figuring out the order to the printing process was invaluable. 

Now I want to try printing it with thickened dye on cloth. And just to let you know, I am working through my Procion MX whoas, so I will be printing in a new and improved manner soon.

SleepyPeach

 And here is my studio kitteh. She is a merp button, a cutey-pie, a love dove. She has a sassy personality and will fake a little nip when she does not want to be pet. Other times, when she is ready, she lays on the butter! And I love butter.

Oh, it is lunch time and I am hungry!

Continued Story.

PeachYawn

 It seems Peach has done another awesome thing. She found David and I, specifically. 

Last week I had several conversations with the veterinarian who ‘spayed’ Peach. It turns out, the spay was incomplete and uterine tissue was left inside her body. This tissue is producing estrogen. Peach needs to go into heat again, so that a specialist might be able to find the tissue and remove it. There is no guarantee that Peach will make enough estrogen in order to go into heat, but as this is the best case scenario, we hope that she does. If she does not, we need to regularly screen Peach for mammary carcinoma, in other words, breast cancer. Sigh.

I know that there are no guarantees in life, we have, just this moment, to live as fully as we are able. I love this little being and honestly hope she goes into heat again, that the surgeon can find the tissue, that we are able to lower or obliterate her odds of getting breast cancer. I am happy that she found us, that I can advocate for her. I am happy to love her. I wish that breast cancer could take a lesser seat of prominence in my life, but I accept what life has given me and us.

The veterinary office that helped Peach through her Trap and Rescue ordeal is shrugging off monetary responsibility for this portion of Peach’s care, though the vet who did the work, has said that she will pay for Peach’s re-spay out of her own pocket. I am glad that the doctor has taken an ethical stand, I am considering how to let the veterinary office know of my dissatisfaction. Speaking out is a new path for me and is directly related to my cancer experience. I have less tolerance for bad behavior now, and I want the world to be a better place, so speaking out is called for. There are many gifts related to the cancer experience and I bet part of the reason Peach found her way into our hearts, apartment and life.

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As I make more and more multicolor stamps, I am finding new and interesting ways to build images. Previously, I would draw the image, cut it out of a single piece of fun foam, mount and print the image. Now I am doing more of a call and response, I might cut a simple drawing in two colors, then cut additional layers to darken or shade an area of the image. Next I will work on incorporating textures into the background.

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 Creative flow is interesting. I work away at an idea as if a hound on a mission. Then I run up against a learning curve, as I did while working on The 20. This is when I switch gears, trying to access the intuitive thoughts that might solve the original creative conundrum. This post has two cogs in that wheel.

As I try to workout the Procion MX dye wash out troubles, I began making multicolor stamp portraits (the image of David in the middle of this post, and also this self portrait). Now, needing a break from the portraits, I have decided to carve a set of alphabet stamps. It is at times like this when I need to complete a project or two so that I can get back to what is really bothering me! This week will be geared toward finishing up my side projects and solving my Procion MX whoas.