Breasted Beauty 4

Breasted Beauty 4

Breasted Beauty 4
2015
8.5×7.25”
Printed Cotton and Organza, Procion MX dye, Batting, Hand Stitch

$200 

This piece is being stitched and embroidered now, meaning it is as yet, unfinished. Expect weekly photographic updates to this gallery page and follow Melly’s blog to watch the work become complete.

These pieces are meant to be framed, none are completely square, and when flipped over to view the back, batting can be seen. Un-embroidered, these pieces are 125$, embroidered and stitched 200$, plus shipping. If you see an un-embroidered piece, selling for 125$, and you would like it embroidered, leave a comment in PayPal and allow 2-4 additional weeks after purchase for the completion of your artwork. You will receive a payment request from Melanie for the additional embroidery work, just prior to shipping.

Melanie will keep you informed about your purchase throughout the process.

Breasted Beauty 5

Breasted Beauty 5

Breasted Beauty 5
2015
8.5×7.5”
Printed Cotton, Procion MX dye, Batting, Machine and Hand Stitch

$200

This piece is being stitched and embroidered now, meaning it is as yet, unfinished. Expect weekly photographic updates to this gallery page and follow Melly’s blog to watch the work become complete.

These pieces are meant to be framed, none are completely square, and when flipped over to view the back, batting can be seen. Un-embroidered, these pieces are 125$, embroidered and stitched 200$, plus shipping. If you see an un-embroidered piece, selling for 125$, and you would like it embroidered, leave a comment in PayPal and allow 2-4 additional weeks after purchase for the completion of your artwork. You will receive a payment request from Melanie for the additional embroidery work, just prior to shipping.

Melanie will keep you informed about your purchase throughout the process.

Breasted Beauty 6

Breasted Beauty 6

Breasted Beauty 6
2015
8.5×7.25”
Printed Cotton and Organza, Procion MX dye, Batting, Machine Stitch

$200

This piece is being stitched and embroidered now, meaning it is as yet, unfinished. Expect weekly photographic updates to this gallery page and follow Melly’s blog to watch the work become complete.

These pieces are meant to be framed, none are completely square, and when flipped over to view the back, batting can be seen. Un-embroidered, these pieces are 125$, embroidered and stitched 200$, plus shipping. If you see an un-embroidered piece, selling for 125$, and you would like it embroidered, leave a comment in PayPal and allow 2-4 additional weeks after purchase for the completion of your artwork. You will receive a payment request from Melanie for the additional embroidery work, just prior to shipping.

Melanie will keep you informed about your purchase throughout the process.

Genderless Fairies 1

Genderless Fairies 1

Genderless Fairies 1
2015
9×7”
Printed Cotton and Organza, Procion MX dye, Batting

These pieces are meant to be framed, none are completely square, and when flipped over to view the back, batting can be seen. Un-embroidered, these pieces are 125$, embroidered and stitched 200$, plus shipping. If you see an un-embroidered piece, selling for 125$, and you would like it embroidered, leave a comment in PayPal and allow 2-4 additional weeks after purchase for the completion of your artwork. You will receive a payment request from Melanie for the additional embroidery work, just prior to shipping.

Melanie will keep you informed about your purchase throughout the process.

Genderless Fairies 2

Genderless Fairies 2

Genderless Fairies 2
2015
8.5×7”
Printed Cotton and Organza, Procion MX dye, Batting

These pieces are meant to be framed, none are completely square, and when flipped over to view the back, batting can be seen. Un-embroidered, these pieces are 125$, embroidered and stitched 200$, plus shipping. If you see an un-embroidered piece, selling for 125$, and you would like it embroidered, leave a comment in PayPal and allow 2-4 additional weeks after purchase for the completion of your artwork. You will receive a payment request from Melanie for the additional embroidery work, just prior to shipping.

Melanie will keep you informed about your purchase throughout the process.

 

TV taping and Gathering your Sew-plies!!

 

Check out the blog post related to this video: https://melanietesta.com/2015/10/tv-taping-and-gathering-your-sew-plies/

A video posted by Melanie Testa (@mellytesta) on

//platform.instagram.com/en_US/embeds.js

This week, I found myself in the unique position of needing to Gather my Sew-plies!! on the quick! I was asked to tape a video segment for a major media outlet. The original idea was that they would come to my home and film me while I was printing the Breastless Beauties. But at the last minute, they had a change of plans. (I was excited that they would come film me printing!!! Their loss. Haha!!)

IMG_3651-1

So, 15 minutes before needing to leave to get to the meet up spot, I grabbed a Gather your Sew-plies purse, some thread and all of the printed Beauties I had made so far. Wow!! Talk about thinking quick on your feet! Talk about needing your supplies at a moments notice!!!

IMG_3649-1

It is strange, I can’t really talk about this project yet, but I can share vaguely.

So…

To be honest? I feel blessed to be able to have done this video shoot!! It seems I have made waves this year. My perspective and the narrative I am speaking to; body positivity in the face of breast cancer diagnosis and its treatment, or even more broadly, loving your body no matter if you had a cancer diagnosis, is being considered, discussion is occurring.

What more could an artist wish for in her lifetime?

Wear them close.

So, what do I carry in a Gather your Sew-plies!! purse? Embroidery/thread snips, thimble, thread, a hank of hand dyed embroidery flosses, needles and a few pins. That is all. The purse has a backpack styling, fits snuggly against the body. Does not swing or make its presence known, as you work about in the studio or wherever you may be. I have been known to wear them on the subway, it is a great sewing in transit purse! 

I will be teaching at Craft Napa January 7-9 2016 There is a stitch class where we will begin making a Gather your Sew-plies purse. I hope you will join me! I would love to work with you. Throw knowledge nuggets, share laughter and have fun with you. I need a teaching retreat and I am ready to teach again! Please join us.

craftnapa-color1

 

I will be teaching You can’t resist this, a soy wax class.

Small Works, Big Impact

and the Stitch Journaling class where we will make a Gather your Sew-plies!! purse. PLEASE Join US!

Melly

More updates to come!

 

The Cat Walk, Flattopper Pride and Play Out underwear

PlayOut_8

This week has been such a fantastic experience. Emily Jensen, of FlatTopper Pride, came to town to walk the cat walk wearing Play Out underwear. FlatTopper Pride is a supportive space where gender presentation and cancer intersect. If you are queer, or an ally of the queer community and you have had breast cancer and want to discuss your path in a supportive environment, this is the group for you. 

PlayOut_14

Since my diagnosis of breast cancer, I have been using the unique opportunities presented to me to open discussion on what it can mean to be a woman and be breastless without apology in a breast obsessed world. The show we walked in had a theme of Ken and Barbie, with the intention of using dolls or toys to speak to body ideals and body dysmorphia. So the stylists and make-up artists did their magic and turned us into dolls. 

PlayOut_9

Seeing the two of us looking all plastic-y, walking confidently down the runway in nothing more than Play Out underwear , revealing our scars, helps to narrow the divide between how we are ‘supposed to look’ and how we actually look. The breast cancer closet, where we are supposed to quietly resume our lives as if nothing has happened, while maintaining the breasted and ‘known’ female shape is being redefined. Body confidence is where it is at.

 

Being visually represented in the media is important to all people, it acts to bolster our sense of person and humanity. Body image, acceptance and love can be challenged after breast cancer treatment and I hope these images help other, newly diagnosed women see that flat reconstruction is one beautiful option among many, breastless bodies are beautiful and that breasts do not define us.

EJMTRedCarpet2

 

Please read the Hello Giggles article, written by Jackie Reeve, called: Meet two young breast cancer survivors who just revolutionized the runway.

Wow, a whirlwind.

These last few weeks have been amazing. Hectic crazy, fun, well worth it.

IMG_0822

My creative stand still came to an end, thank goodness.

I went to quilt market while visiting my Bestie. I learned a lot.

IMG_1072

IMG_7701-0.JPG

And the Play Out (click this link to see a sexy, hip commercial for the undies) and Flattopper Pride underwear photoshoot went viral. It started with HuffPo, then it shifted and became a sprinkling of articles, then I started seeing my photograph under Japanese characters, in Norwegian online magazines, BuzzFeed, Mashable, People. I was interviewed for an article in Women’s Health (apologies to my husband, it just popped out.). I don’t know what, ‘in association with the New York Times means but, I think it got very close to being in the New York Times, if not officially in it.

Screen Shot 2015-05-30 at 11.08.24 AM

I was able to meet Barbara Rosenblat, the actress who played Ms. Rose in Orange is the New Black, a favorite show of mine. In season two she was in cancer treatment. I won’t tell the story, I just loved the character she played. Rain Dove, the androgynous model I am pictured beside in a few of the ad campaign and on the red carpet event at the New York Women in Film and Television, where I met Ms. Rosenblat.

Rosa1

I was thrilled. I love the above scene. Just love it.

I experienced vile and bullying comments. That wasn’t a treat. But my self esteem is not tied to other people’s opinions of me, so that is that. I am thinking up a post about this, having to do with allowing love in, opening your heart to all body types, breasted, reconstructed, flat, fat, thin and differently abled.

Let me know if you are interested in this.

OH! And, I am printing the border for my next quilt top! Next up, green!! Photos to follow. Let me just say, I want this quilt top done by Saturday, Quilt Guild! I am very excited about it.

And, hey wait!! Brave? Well, yeah. Determined. Willing. Beautiful. Brave is the least of it.

#BreastlessBeauty

Please comment. I miss you all. It has been a good few weeks and better to get back into the flow of creative living.

 

 

Thermofax 101, Screen Printing Made Easy by Lyric Kinard, dvd review

Thermofax_Lyric

I first met Lyric Kinard at a QATV taping in Ohio. I was immediately taken by her presence and we have remained friends through the years. I own a copy of Lyric’s book, Art+Quilt, which is very detailed with artistic concepts and approaches, and illustrates how these can be applied to work in the quilt medium. When Lyric asked if I might consider reviewing her most recent, self published DVD Workshop called Thermofax 101, Screen Printing made easy, I jumped at the chance. 

I do not own a Thermofax machine, though I wish I did. I am grateful that Lyric maintains a service where you can purchase Thermofax screens and supplies using your own original artwork, or you can purchase a selection of hand picked, royalty free designs. Knowing I would be reviewing Lyric’s newest offering, I went to town creating a few designs to print with, and I bought several screens using my own original designs.

The DVDs and supplies came promptly to my door, I ordered 6 screens, 6 frames, and I chose to mount my own designs after watching the DVD. Everything was packed tidily, no dents, folds or problems.

Now, I am not a total Thermofax newbie. I have bought screens from various friends and services, I have used these screens (to death), and I know the general framework of the process. I have not specialized in the use of Thermofax screens, because I do not own one. Also, and this is an odd one, I have found using Thermofax screens to be a bit of a challenge in terms of how to manage all of the items needed on my small work surface. More on this later.

So, I popped the DVD in my player, sat and watched the 65 minute, 4 chapter video. Lyric did a fantastic job covering each aspect of the technique. Her delivery is well presented, energetic, informed, and engaged. Lyric unpacks the essentials of what you need to know, but she also delivers additional information to help you envision, for example, how to make motifs that speak to one another in a unified manner, she talks about media you might screen-other than paint, and she touches upon using Thermofax screens in mixed media too.  

 

One of the things I really like is that Lyric shows a foible that she experienced when working with the wrong type of paint for the job. she corrected her mistake and discussed that too. We all make mistakes, it is great to learn how to recover from making artistic mistakes and Lyric is not afraid to discuss this. This is one of the things that makes a great teacher.

  

The thing that impressed me the most is, Lyric even offered a suggestion as to how to manage the screen, squeegee and paint while working! She discussed an issue that I have, in using screens! I thought I was just being persnickety! But no, this is a concern and Lyric addressed it.

  

So, yes. I highly recommend Lyric’s newest offering, Thermofax 101. I confidently suggest you purchase your own copy and support my good friend, and, do not hesitate to use her screen making service. Printing with Thermofax is a great way to easily print repeatable imagery on cloth. 

  

(Here you see, I have used a freezer paper resist over a previously printed floral dot. I am using thickened dye, which is not a focus of Lyric’s DVD. Dye is a love of mine and I have more of it available than I do paint, so I went for it. One of the nice things about dye is that it does not dry into the mesh of the screen, making it easier to clean. )

I am also quite happy to say, Lyric will be giving away one copy of her DVD to my readers. For a chance to win, please comment on this post for your chance to win. I will email the winner on May 13. Lyric will ship overseas too! Please comment.

Check out what my fellow bloggers did to support Lyric’s new endeavor:

April 24 Cheryl Rezendez  http://www.cherylrezendes.com

April 25  Leslie Tucker Jenison  http://leslietuckerjenison.blogspot.com  

April 28  Sue Bleiweiss  http://www.suebleiweiss.com/blog/

April 30  Judy Gula  http://www.artisticartifacts.com/about_us/contactus.htm

May 1  Susan Price & Elizabeth Gibson  http://pgfiber2art.blogspot.com/

May 2  Judy Coates Perez  http://www.judycoatesperez.com

May 4  Linda Stokes  www.lindastokes-textileartist.com

May 6  Jane Davila  http://janedavila.blogspot.com

May 6 Melanie Testa https://melanietesta.com/blog/

May 7  Liz Kettle  http://www.textileevolution.com/index.php/our-journey

May 8  Carol Sloan  http://carolbsloan.blogspot.com

May 9  Kathy York  http://aquamoonartquilts.blogspot.com

May 11  Susan Brubaker Knapp  http://wwwbluemoonriver.blogspot.com

May 12  Desiree Habicht  http://myclothesline.blogspot.com

May 13  Jamie Fingal  http://JamieFingalDesigns.blogspot.com/

May 14  Deborah Boschert  http://deborahsjournal.blogspot.com

May 15  Sarah Ann Smith  sarahannsmith.com/weblog

Everything in between

   

This chair, with its lovely patina, can be found at Rex, a coffee shop on 10th street between 56 and 57 in Manhattan. It is not the most comfortable chair. But it sure is pretty.

  

I have a thing for chairs, if you have not noticed. Artistically speaking, chairs equate to nudes for me. When I started writing Inspired to Quilt, I was asked to cut back on placing nudes within the book. This was in the hope of attracting the broadest audience possible. So, I moved to depicting chairs (and birds, always birds).  Chairs allude to the human form, we rarely walk into a room without coming upon a chair. People recline, rest, wait, gather while sitting in a chair. So when I come upon an interesting chair, I draw, or in this case, photograph it. It is good form to do so, taking notes, snapping pictures, keeps items and ideas accessible.

  

There are two color ways of this chair print in my first fabric line, Meadowlark by Windham. If I get my way, there will be more. Once we alight on motifs that impress us, spark the imagination, it is a good idea to honor it and continue on the quest of expressing your appreciation of the idea. In the photograph that follows, you can see a bit of hand printed chair in the lower right.

  

While sitting in the aforementioned chair, I worked this piece. It is my goal to make my small work art quilts as similar in style and nature to my journal pages as I am able. When working with different media and hoping to carry ideas over from one format to another, we must realize there is quite a difference in media. Applying paint with a brush to paper is much different that applying dye to cloth, paper is smooth and has finishing agents that hold the paint in place, where cloth is much more absorbent, and I haven’t even mentioned the difference between paint and dye. What I am trying to suggest though is, there is no direct correlation between mediums. We need to bridge the gaps we experience as we come across them.

The journey to finding these parallels began to occur prior to writing Inpired to Quilt, and continues to this day. For example, in the piece above, the finches were drawn using a ruling pen and paint, on silk organza. Silk organza is the equivalent to tracing paper in my journals, it is sheer, it can be layered and allows what appears underneath to show through. The ruling pen itself is a parallel to a pen, and allows for fine line drawing on cloth or paper, using any color you are able to mix in either dye or paint. 

I have a good handle of the tools needed to cross media. What I am working on is creating imagery that can flow and jump off the page and find a continuum on cloth, my preferred medium. This is the fun of being an artist and following where the visual and artistic journey brings us. I continued this exploration within Dreaming From the Journal Page: Transforming the Sketchbook to Art. And honestly, I think this will be my journey for many years to come.  

———————

   

Today I went to my 4 month check up with my oncologist, all is clear. I am good to go for another four months. 

I need to ‘talk cancer’ for a moment and I hope you are ok with this. Cancer sucks. I am happy that I seem to be in remission, I have the ability to beat this and I know that not all folks do. Within my support circles, I read and keep in touch with folks who are experiencing stage four cancer, where keeping the cancer in check is the only option and some of my friends and acquaintances have passed from this disease. I do not mean any disrespect in talking about something as trivial as hair, but I find I need to.

It has been about four years since I lost my hair to chemotherapy. I was bald, I didn’t wear a wig, I didn’t feel the need to. When my head was cold, I wore a hat. I was told that my hair might return different than it had previously been, it might come back thicker, curly, it might change color, or come back thinner. Secretly, I hoped it might come back curly, as I have always had poker straight hair. Instead it came back super thin. I used to struggle to wrap an elastic around it twice, now, I bet I would need to wrap an elastic 5-6 times. I have had to change the part in my hair so that my head does not show through as much. I have been trying to grow my hair out and I realize, my hair has become my krytonite. I can handle being breastless, I had to make a choice, I did, I went with it. But my hair? Not so much.

I saved my life, I exercise, I am eating healthier, I am alive. Now, I need to accept, this is the way my hair is now. I am glad to have hair. It sure beats being bald, or dead for that matter. I don’t know if I can grow my hair out-I have gotten tired of cutting it and haircuts are expensive, here in the city, I am going to give it to the end of the summer and decide at that time. Whatever I do, I need to stop the conversation in my head, the negativity and disappointment I feel, when I look at my reflection and see how thin my hair is. The experience of breast cancer and its treatment has made me shine a fresh and bright light on beauty ideals, how they affect me (and us), and has encouraged me to break down my assumptions and become a stronger more vibrant woman. It is time to apply what I have been learning to my feelings and thoughts about my hair. 

Thank you for sticking with this post, it was a long one.