Learning, taking notes and repetition.

Recently my friend, Lisa Chin came to NYC and we had two art playdates. Lisa is a fantastic printmaker and carver. Check out her website and her insta!

In playing together, Lisa wanted me to try out Inovart Eco Karve (and some paints too, though that is a post for another day). So, I tucked in and took some lessons. As I did so, of course, I took notes in my Moleskine.

In the Moleskine, I printed a strike-off (page 31, Playful Fabric Printing), made notes about the carving rubber itself. Then in true Melly style, I decided to carve several similar designs so that I could further improve my skill set within this new carving medium.

Repetition helps build muscle memory and similar imagery gives me time to explore similar lines and carving approaches. I printed them off using the same colors in order to evaluate them side by side. I think the white serves this design well in both versions. I am partial to the white dots at top right, but think both benefit by judicious use of white. White is often a bully of a presence in printed fabric, I feel this use of white creates balanced ‘pop’. I will write notes about this too!

As I create motifs and print, keeping notes along the way allows me to keep up with myself. I have been doing it for long enough that I have 4 journals worth of juicy notes. As a resource, dipping into these journals is really helpful. It can help shift your perspective on current work, provide new ideas, remind you of a new art material or perhaps a playdate with a good friend.

Do you take notes and track your creative efforts? Leave a comment and tell me what you do.

SaveSave

SaveSave

SaveSave

Getting from Here to There

Since taking this Free Range Textile Printers show on the road, I have printed about 80 Lace Swirl and Herring Bone fat sixteenths in total. In keeping with a recent love affair with Half Square Triangles, I went to work trimming them all to 8.25″, I like to cut them one at a time to maximize them as much as possible. After which, I paired them, right sides together, in groups of two, with an eye toward a light/dark pairing. I then marked them with pencil before piecing, cutting and ironing. 

This quilt has me thinking about the use of starch when ironing, so I went to Facebook to ask others for their experience. This interesting thread emerged. Check it out!

My love of the Half Square Triangles will not abate! The initial cut size is such that quilt tops quickly emerge, which is especially to my liking. I like making quilts, quick and easy. Large blocks help me do that. 

I really appreciate the back side of handprints too. The above print (the red) must have been a really juicy print to smoosh through the cotton print cloth like that! And it is so pretty to see how the printed layers of color interact with each other.The above quilt will be complete soon. I am excited about it so far. Can’t wait to show both sides, in good lighting. Normally I track these print jobs pretty closely. This time, I went about the entire thing in a much different manner. Tracking got cast to the wayside. I could track this lot retrospectively, by counting and comparing. I will see how far I can get. I could lead to a ‘printers must’ or pattern. 

To explain what I mean by a “printers must”, I need to harken back to my days as a sample cutter for a small women’s wear company. At the beginning of the day, I would be given a, “cutters must”, which looked something like this. From this, I could discern the path and needs of each cut sample on my docket for that day. Basically, I was given a pattern and the ‘cutters must’ were the directions. 

This in the hope of offering a Playful Fabric Quilt pattern. I have a bee in my bonnet. Goal #1 Make a downloadable pattern for Melanie Testa.com.