Lace Swirl Quilt Top

This last weekend was quite productive. I took Bucket to my twice yearly quilt retreat and made great progress while #freerangetextileprinting. Then, I came home, switched out the newspaper and tinfoil I had been using to steam (this is a link to Pokey Bolton’s blog related to our Playful Fabric Printing blog hop-who chose the steamer as a topic), and got to work. I now have about 39 Melly Marks Lace Swirl and 50 Chevrons printed and ready to cut and piece!

This is why I love steaming and boiling. Steaming and boiling is a transformative experience. I love seeing the prints pile up, all stiff like potato chips, then, I like seeing the final shade after boiling and drip dry. 

I think this is a great coloring of the Lace Marks multicolor print set. The swirl is printed in Medium and the innards is Light value (I can figure out which color number if you want this info!) Combined with the pale pink ground, I feel this color way really highlights the lacey design. 

Here is a pile of ready to iron handprints. They look like potato chips to me. They act like it too. I am so excited to make a new quilt top, I could eat these like potato chips! If only they tasted as good.

I hope at the end of making this quilt to come out with a ‘pattern’, that states how many prints, provides a color way, and breaks down the making the quilt. I hope you might like this idea. I would love to hear your thoughts about this.


Here is the “Insider Info” portion of today’s program 🙂

I am offering my first Etsy Shop coupon code, use the code MELLYMARKS1 to receive 4$ off an order of 20$ or more, in my new shop! This code will be available until March 28.

And, join the Playful Fabric Printing Community page on Facebook.

Additionally, comment if you would consider becoming a Sample Maker for my upcoming fabric line, to be release at Quilt Market!!!


I hope to teach at Schweinfurth Art Center in May, please join me. This class will expand upon the principle presented in Playful Fabric Printing.

Focus on Fiber Florida Style

I will be teaching at Focus on Fiber Florida Style this coming April 4-8, 2017, and I would love to see you there!

The You Can’t Resist This! class explores the use of soy wax as a resist, combined with Procion MX dyes and mono printing, to create vibrant and uniquely textured prints. Soy wax is a food grade product, it’s biodegradable and it needs no special care to remove it from cloth. It’s a pretty savvy resist. Combining soy wax resist with mono printing allows for some pretty neat variation in textures and layering too. And of course dye leaves the fabric soft and supple, so your cloth will have a nice hand and be easy to use. 

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Soy wax has magical qualities that can be easily pushed and manipulated to great effect. The attributes of soy wax are quite different from the traditional paraffin wax, but can yield very similar results with tweaks and hacks that I would love to share with you.

Monoprint, Resist and Stamp: A Vibrant Still Life is a class based on many of the processes contained in my new book, Playful Fabric Printing. We will make our own fun foam stamps while learning about printing and over-printing. We will explore preserving specific areas of the design by use of freezer paper resist while playing with mono printing. And, we will use some of my multicolor print sets to print in repeat too. This class has a bit of everything in it.

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You will walk away with an understanding of how to plan and print your own designs while learning to use a multitude of techniques.

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I do hope you will join me and take a class with Focus on Fiber, the center is very highly regarded, the food is great and the artistic community will be fabulous.

Teaching: Focus on Fiber Florida Style

I am very happy to say, I have been invited to teach two classes and give a lecture at Focus on Fiber Florida Style.
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My first class is called, Monoprint, Resist and Stamp: A Vibrant Still Life. This class is based on my Live your Brightest Life contribution to Yvonne Porcella’s tribute of the same name. While this may look complex, the class will break down the steps necessary to build and layer similar imagery while utilizing mono-printing, freezer paper resist and stamping methods together with Procion MX dyes.

And here is my finished tribute, to show what you might do with your printed works! 

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My second class is called You Can’t Resist This! and is a class that combines soy wax resist with the use of Procion MX dyes. This class is my most popular class, especially when I teach it with dyes. Soy wax is a great resist, easy to wash out, it’s inexpensive and provides great result! 

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I will be giving a lecture on what it takes to present a craft book proposal too!

I have only heard good things about this retreat. The facility is supposed to be great, the food gets positive reviews and they bring some pretty great teachers together. I do hope you will sign up!

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I need a little help getting the word out about this, so I am going to do a give-away!!! Maybe you or someone you know would like to take a class with me, maybe you have friends who live in or near Florida, or who might travel with you to attend the class!  I would love to work with you. And your friends.

This is a two step sign up:

1. Please share the link to THIS post to Facebook AND tag me in the body of the post.

2. Please leave a comment to this post too.

and well, here is what I would like to give away:

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6 pieces of Melly Prints! These are 9×11″ (or so) and all are original handprints! Please share and comment!

Craft NAPA 2016, soy wax, embroidery, small works!

We are blog hopping, and I certainly hope that you might jump over to every name on our hopping list and comment (list is at the bottom of this post). There are great prizes in store if you do, but you must comment! And! I am hoping you might consider registering at Craft NAPA and take one of my classes, or a class from another fantastic teacher in our ranks.

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You Can’t Resist This! is a class that uses soy wax as a resist along with paint on cloth for an easily accessible way to build layers of color, texture and line. Soy wax is a champion in the resist department. It is super easy to use, easy to clean up, and it creates gorgeous cloth with depth, beauty and vibrancy. 

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In fact, I find soy wax resist, and building layers of color and texture to be addictive, like eating potato chips. And it is a good thing, because I have begun making quilts out of my fabrics, you can see one here. Being able to both make pleasing cloth and use it, is instrumental to making more cloth!!

Small Works

Small Works, Big Impact is a one of my most favorite classes to teach. Working small has had a huge impact  😉 on me as an artist. Working small can help you create larger works, if that is your goal, but they are also easy to complete, they sell well, as most folk have a small wall available to hang a well chosen small work, and I think it is also a great way to learn new techniques. Working small also lends itself well to working in series.

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The techniques we will use in this class include using tulle and sheer cloth overlay, fusible webbing and collage, in addition to finishing techniques. And remember, small works do not limit the possible subject matter to explore! Check out my gallery and Breastless Beauties pages to see more small works.

I have been creating and updating a pattern for what I am calling the 'Gather your Sew-plies!!' sewing chateliane (which is free on my blog). In this purse in particular I used the 15 Minutes Play idea, my idea was to use new materials (wool batting, fabrics new to me, and embroidery stitching). It worked, this is not a purse or flow of fabrics that I would have used had I not played with this idea. melanietesta.com/tag/gather-your-sew-plies/

The Gather Your Sew-plies!! purse is a great sew-on-the-go item for the studio as well as the coffee shop. The purse has a back pack styling that remains close to your body, while carrying the essentials, needles, thread, thimble, pins, scissors and embroidery floss. The purse pattern will be supplied, and we will focus on using embroidery as a means to Journal with Fabric and Embroidery

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The purse I show here uses stitch to enliven a fantastic commercial fabric. If you would like to see more purses, click here and scroll downward.

I would love to teach and work from you. I very much look forward to meeting up, enjoying Napa, making new friends and enjoying old friends too. I do hope you will register!


Here is a shout out to the wonderful CRAFT NAPA sponsors, BERNINA and Meissner Sewing and Vacuum Centers

BERNINA Made to Create Right

 

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PLEASE comment on this post if you want to win great prizes. All comments go into one big grand prize drawing that will happen after Pokey’s blog post.

Comments close on Dec 10th. 

The grand prize is a $500 Gift Certificate from eQuilter.com! 

I will award one commenter on this blog with a copy of Dreaming from the Journal Page. So, please, comment. Also!! Check out all the blogs listed below and comment freely.


Nov 30- Jane LaFazio – http://janeville.blogspot.com/

Dec 1 – Lynn Krawczyk – http://smudgeddesignstudio.com/blog/

Dec 2 – Judy Coates Perez – http://www.judycoatesperez.com/

Dec 3 – Jenny K. Lyon – http://quiltskipper.com/blog/

Dec 4 – Jamie Fingal – http://JamieFingalDesigns.blogspot.com/

Dec 5 – Melanie Testa – http://melanietesta.com/blog/ (Here you are!)

Dec 6 – Elizabeth St. Hilaire – http://www.paperpaintings.com/

Dec 7– Leslie Jenison – http://leslietuckerjenison.blogspot.com/

Dec 8- Carrie Bloomston – http://www.carriebloomston.com/blog/

Dec 9 – Cheryl Sleboda – http://blog.muppin.com

Dec 10 – Pokey Bolton – http://pokeysponderings.com/

Progress and the peacock

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Nope! I agree. 

This sign was recently pasted nearby and it is a great reminder, I had to photograph it. No, indeed, our dreams are not somnolent, but rather invigorating. 

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This weekend I gathered with my gal pals to quilt at retreat. I spent the last two weeks printing the peacocks, woodblock ditties and chevrons and I was prepared to begin a quilt top using the fabric.

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I had forgotten that Pickles, the peacock would greet us when we arrived at the retreat center. Pickles likes crackers, but we assume this is not normal peacock food. Pickles did get some crackers from us. He worked very hard for them.

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I began a quilt top. I love it so far. I think it needs a border, an asymmetrical border of medallions and woodblock ditties as seen in the upper right corner of this photo. My goal for this week is to complete printing fabrics that can be used in the border. Fun! I love having creative goals like this.

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This sign resides on a wall close to the gym and I could not resist a selfie in front of it. I hope you are feeling creative too. Creative in the very way that pleases you most.


 

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I will be teaching:

You Can’t Resist This, where we will use soy wax as a resist along with paint on cotton fabric.

Small Works, Big Impact, where we will make small works while exploring the use of the sewing machine and some pretty nifty techniques.

Journaling with Embroidery, where we will make a Gather your Sew-plies!! purse, so you can sew, wherever you go!

Soy Wax, Paint and Teaching: Craft Napa

I will be teaching, You Can’t Resist This, a soy wax resist and paint class at Craft Napa in coming January 7-9, and I would love for you to join me. In this class we will explore what resists mean, how to layer and build color stories that work with your chosen motifs, and we will explore differing methods of working with paint to achieve pretty, layered, vibrant, unique and textural results. 

You Cant Resist This!

You may wonder what the differences are between paint and dye. A basic definition is that dyes bond with the very fibers of the cloth, while paint sits atop those fibers. Both are a good way to apply color to cloth, the biggest difference between the two being that with dye, the original feel or ‘hand’ of the cloth is retained because the dye binds with the fiber of the cloth at a molecular level. Paint, on the other hand, needs binders to adhere to the cloth, these binders can lend a stiff or heavy ‘hand’.

Oh, that green!

Paint binders have improved tremendously over the years and there are some paints out there that are really quite good. Paint also allows for easier access to workable, beautiful cloth without the learning curve associate with the use of dye. Don’t get me wrong, I love dye, it is my medium of choice, but as a teacher I understand that paint is a great entry into making original surface designed cloth, and that students have great success in using it.

Reminds me of eggs.

 

A video posted by Melanie Testa (@mellytesta) on


 

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I will be teaching:

You Can’t Resist This, where we will use soy wax as a resist along with paint on cotton fabric.

Small Works, Big Impact, where we will make small works while exploring the use of the sewing machine and some pretty nifty techniques.

Journaling with Embroidery, where we will make a Gather your Sew-plies!! purse, so you can sew, wherever you go!

 

 

The Breastless Beauties

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You will soon find a sales gallery of what I am calling ‘Breastless Beauties’ on my website. I am very excited about this work as it integrates my advocacy work for body positivity and flat reconstruction due to breast cancer with my artistic, multicolor printing endeavors. I have not previously printed so many pieces in a single go, nor have I worked to bring so many pieces up to a salable point as a group. 

The Breastless Beauties are based on my 2007 Quilt National entry, Repose. Seen here:

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I would like to tell the story of sharing one of the Beauties to a flat related peer support group of mine. The Beauty I showed them was what we fondly call in the breast cancer community, a uniboober, (or a single breasted woman). The first response I got after showing the piece was, ‘Wow. I never thought I would see my body in a piece of art!’

And I must say, I was touched beyond measure to hear this.

Throughout the last few years, I have worked to create visual representation within the media for the bilaterally flat chested women like myself. I have done this because I understand  the importance of having our bodies reflected back to us, and for those images to be positive, strong, fully embodied and filled with hope. Beauty is not the end all in life, but when we are forced to make bodily changes due to cancer diagnosis, self esteem can take a big hit. Seeing our changed bodies in the media and on the wall, reflecting our new reality, serves to heal the soul. 

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For the most part (there are still a few projects that will be released), I feel I have done enough breast cancer advocacy work. It is time for me to step away from the public eye and back into my artistic endeavors. Printing and stitching the Breastless Beauties has been a great segue in this respect.  I hope you will follow me in this more artistic form of visual representation.


 

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I will be teaching:

You Can’t Resist This, where we will use soy wax as a resist along with paint on cotton fabric.

Small Works, Big Impact, where we will make small works while exploring the use of the sewing machine and some pretty nifty techniques.

Journaling with Embroidery, where we will make a Gather your Sew-plies!! purse, so you can sew, wherever you go!

 

QSDS

This last weekend I took a trip out to Columbus, Ohio to teach at QSDS, and boy was it a great experience. I worked with women who were focused, ready to learn, open to new information, and each and every one of them made really good cloth. I found companionship in Denise and Susan, who are pictured in the video above. We ate meals together, took a walk, talked and bonded, one of my favorite parts about teaching. Christina and Tracy and I bonded over Becky’s bead table (The owner of St. Theresa’s Textile Trove, and a fellow teacher). We laughed so hard! I fell in love with all of them. I met so many new and great people. Like Diane Muse, who prints the logo’d tshirts for QSDS, I now own two and also bought a printed kitchen towel. I met up with other teachers like Elin Nobel and Rosalie Dace. I met  Bob Adams for the first time, a great man (I like his art a lot), who was traveling with his lovely wife. I feel blessed.

It was Ab Fab.

I enjoyed every minute of it and I am happy to be home too.

P.S. Don’t miss out, Lyric Kinard is giving away a copy of Dreaming from the Journal Page and I would like you to win it!

Sew-plies Polka

I am off to teach at the GASC in Arlington Texas. I have my hand sewing and embroidery work all packed and ready to go. I, of course, am bringing all 3 Sew-plies purses. I am attached to them right now, I love them-they have become tiny backpacks with specific intention-to help me sew. I love the idea of them. I will have a 4 hour flight and I am have my Fuxion erasable pen. 

I will have internet access. I will not be doing Flash Card Friday, that will resume next week.

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This should be Flash Card Friday, but it is not. I called a fun day. I went to my monthly appointment, my Man accompanied, very helpful-the lad. 

A memory of the day, not fully explained:

X-ray box, perforated paper, square head man face, front top quadrant of the page-drawn by David. Me: Flipped, vertebrae, ribs, hips, femurs; his pen, mine pencil. RN comes in to find, then….Very fast walk uptown, stopped at Merrimeko…dreamy…. Then to Mood to paw through and daydream effectively. Rich!

I am fixated on getting this Gather your Sew-plies (chatelaine pattern)  right. I felt buoyed by a comment to this post and started to think about this purse as Sewing Jewelry, personal adornment, how would an artist with my skill dress herself?  I began designing this small purse because I want to sew -on –the —-go, embroider wherever I am. Although I merely keep the essentials (Thread, Thread Heaven, Thimble, Scissors, needles), the bag is heavy and it moves around with momentum as I walk. Form isn’t meeting intended function.


A need arose.

 So it needs an anchor. But I want it to be removable, because, well, who doesn’t like a convertible thing? A toy, a puzzle, deeply stitched object. It’s satisfying. 

I think I am just addicted to cataloging, collecting, collating, and jotting. This is an image of an idea book. I think it is different than an art journal, it supports and documents. They help me remember.

A need, and response.

So I am creating a belt and loop scenario. I keep wondering about changing the texture of cloth by stitching it. I would like to explore this some.

I think the hand stencil needs to be embroidered on the purse, somewhere. That stencil has been asking to be used all week.

 

Anyone in the Dallas area going to the Great American Scrapbook Conference, I will be teaching surface design techniques for paper. Come join me?