Playful Fabric Printing Blog Hop!

 

Please join us in celebrating the release of Playful Fabric Printing through a blog hop! Scroll down for a complete list of blog hop participants. Each hop participant will discuss motif making, quilting with handprints and/or review Playful Fabric Printing itself. Each blog hop participant will be giving a copy of Playful Fabric Printing to a commenter, so please comment for a chance to WIN.

Carol and I have also begun a Playful Fabric Printing Facebook Community page and would love for you to join. This will be a space for you to share images of work inspired by the pages or our book, ask questions, receive feedback and participate in print-alongs. 


There are many ways to go about making multicolor cloth and there are no right or wrong ways to go about it. While we discuss the creation of nestled multicolor printing sets that fit one inside the other, this is not always the way you might want to proceed. Instead, you might choose to create free-form motifs and to print them in a tossed pattern.

As you can see, working in this manner leaves a bunch of white fabric. Never fear, on page 86 of Playful Fabric Printing, we discuss Monoprinting with Masks.

In this case, I chose to use freezer paper, whose shiny side makes a temporary bond to cloth with ironing. I traced the motifs I wanted to reserve, cut and ironed the cutouts in place before preparing to monoprint. 

After rolling thickened dye out in a pleasing manner, a texturizing comb was used to create a grid like pattern in the thick dye.

The cloth was laid atop the texturized surface and pat in place, before lifting the cloth off the print surface.

Freezer paper is the first resist I began to explore upon learning to print with dye. It is quite a versital crafting material that can be found at grocery and big box stores. Freezer paper comes in several widths, my preferred width is 18″, which can sometimes be difficult to find. While freezer paper is a great resist material, we also discuss some much more ingenious ways to use flat objects to make multicolored prints.

However you choose to make marks on cloth, there is always a way to reserve specific areas, color the background, overprint, and add more design elements. It’s the experimentation that’s the fun part.


Next, I discuss ‘hacking’ your copy of Playful Fabric Printing in order to make it a user ready workbook. 

Most of the books I love and use often, get a spiral binding. I bring them to the copy shop, ask that the binding be removed and a spiral binding be placed in its stead. In the case of Playful Fabric Printing, I wanted to push the idea further and make the book even more studio ready.

First, I took a trip to the office supply store to purchase Better Dividers and Corner Lock Three Pocket Binder Pockets. I specifically wanted to place a tab at the color triangle on page 48 and a pocket at the back of the book in order to store tracking sheets. Additionally, I bought Expo Dry Erase Markers.

Then I took a copy of Playful Fabric Printing to my local copy shop, additional items in tow, to have them remove the binding, place the tab and pocket and laminate both the front and back covers prior to placing a spiral binding. I know this book will receive lots of use and I think the spiral binding turns Playful Fabric Printing into a very useable workbook that is ready to be wiped down when spills and drips occur.

In retrospect, I wish I had asked for the 1.25″ plastic spiral, rather than this tight fitting metal binding. I did not know there was an option, and although this works perfectly, I would have preferred to have the larger spiral.

Another change I made to my copy of Playful Fabric Printing was to move pages 57, 58, 59 and 60 (the Value Bands) to follow just after the color triangle on page 48. This will cut down on flipping back and forth between the pages when choosing color palettes. 

Then I asked the copy shop to make a two sided print out of the tracking pages (pages 138 and 139) and a two sided print out of pages 130 and 131 (the dye recipes) prior to lamination. Used with the dry erase markers, these laminated sheets provide a temporary surface to write notes and track your mixing adventures. Later, when your print session is complete, you will want to transfer the essential information gathered to a hard copy.

OR, if you would rather not have separate sheets that may get lost, you might consider placing a second tabbed Better Divider between pages 138 and 139. My one hesitation with this idea is that the Better Divider pages are textural. The dry erase maker does indeed erase from this surface in a preliminary trial, though a very slight smudge remains. While this is not a problem immediately, I do wonder if, with time and repeated ‘off-market’ use like this, the page will become much more smudged and blurry. I cannot answer this question as yet.

And, of course, tracking pages and design notes can be tucked into the added Binder Pocket at the back. 

Perhaps you too might consider moving into and making your book wet studio ready! I think this is pretty snazzy.


Blog Hop Schedule

Remember, each blog hopper will give away a copy of Playful Fabric Printing, you must comment on that post to enter your name in the giveaway. Comment on every post!!

January 23: Melly Testa
http://melanietesta.com/blog/

Jan 24: Carol Soderlund
http://www.carolsoderlund.com/blog/

Jan 25: Lisa Chin
http://somethingcleveraboutnothing.blogspot.com

Jan 26: Julie Fei-Fan Balzer
http://www.balzerdesigns.typepad.com/

Jan 27: Judy Coates Perez
http://www.judycoatesperez.com

Jan 28: Carrie Bloomston
http://www.carriebloomston.com/blog/

Jan 28 Chris Dodsley as made by ChrissieD

Jan 29: Lynn Krawcyzk
http://smudgeddesignstudio.com

Jan 30: Leslie Tucker Jenison
http://leslietuckerjenison.blogspot.com

Jan 31: Pokey Bolton
http://pokeybolton.com


Also, I would like to announce that Judy Tucker has won the fabric giveaway I announced on the Focus on Fabric Florida Style post.

Soy Wax, Paint and Teaching: Craft Napa

I will be teaching, You Can’t Resist This, a soy wax resist and paint class at Craft Napa in coming January 7-9, and I would love for you to join me. In this class we will explore what resists mean, how to layer and build color stories that work with your chosen motifs, and we will explore differing methods of working with paint to achieve pretty, layered, vibrant, unique and textural results. 

You Cant Resist This!

You may wonder what the differences are between paint and dye. A basic definition is that dyes bond with the very fibers of the cloth, while paint sits atop those fibers. Both are a good way to apply color to cloth, the biggest difference between the two being that with dye, the original feel or ‘hand’ of the cloth is retained because the dye binds with the fiber of the cloth at a molecular level. Paint, on the other hand, needs binders to adhere to the cloth, these binders can lend a stiff or heavy ‘hand’.

Oh, that green!

Paint binders have improved tremendously over the years and there are some paints out there that are really quite good. Paint also allows for easier access to workable, beautiful cloth without the learning curve associate with the use of dye. Don’t get me wrong, I love dye, it is my medium of choice, but as a teacher I understand that paint is a great entry into making original surface designed cloth, and that students have great success in using it.

Reminds me of eggs.

 

A video posted by Melanie Testa (@mellytesta) on


 

craftnapa-color1

I will be teaching:

You Can’t Resist This, where we will use soy wax as a resist along with paint on cotton fabric.

Small Works, Big Impact, where we will make small works while exploring the use of the sewing machine and some pretty nifty techniques.

Journaling with Embroidery, where we will make a Gather your Sew-plies!! purse, so you can sew, wherever you go!

 

 

Thimble Cinch Add-on Pattern Blog Hop Tutorial

Thimble Cinch Add-on Pattern <———Click to download pattern.

Part 2 of Gather your Sew-plies

It is tutorial time again and this time I present the Thimble Cinch Add-on Pattern. This pattern is made in response to and improvement upon, the Gather your Sew-plies!! Pattern. There will be a few more printable patterns in this series. So far I still have yet to complete a Scissor Tuck Pocket Patterm and I would like to do one called, ‘Mods:’ where I discuss the small modifications, embellishments and changes that I have made.

embellish freely.

But for today, I offer you this downloadable pdf, Thimble Cinch pouch pattern, woot!

If you make your own version of this, I would love to see it and will create a Flickr group to manage your photos. Say, Yes! Start this weekend! Start now. 

If you would like a copy of each downloadable pattern to be delivered to your email box, please sign up for The Clever Guild’s newsletter. I won’t barrage you with email, but I will be sending out at least 4 to 6 emails a year with content like this free downloadable pattern, video samples and information pertaining to upcoming workshops and more.

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And, it is also Flash Card Friday

On page 40 of Dreaming from the Journal Page, liquid Frisket is discussed and demonstrated.

Liquid frisket is a rubbery, liquid substance used as a painterly resist on watercolor paper in combination with either watercolor or gouache. The type of paper you can use it on is limited, on watercolor paper, no problem. But it does not work well on bristol board and I would not suggest you use it in a Moleskine Sketchbook, as it has the tendency to delaminate that type of paper. Always experiment to see what works best for you and your supplies!

I am using this journal spread to demonstrate techniques for my up coming Dream Journals class (this class will available for sign up within the month) through The Clever Guild. The image of Arrow, upper left corner of the page, used liquid frisket. It is fun to see the page like this as it has really grown and changed since I took this photo.

And please, if you are interested, sign up for Stencil Magic, where i demonstrate the use of single and multicolored stencils, with samples on (mostly) fabric, though I also demonstrate using stencils in mixed media painting and your artist’s journal. I really hope to see you there!