Take a long sigh, steam and boil.

This week in Studio Melly, processing has been happening, it is time to steam and boil fabrics! I kind of think about these things as, designing, printing, processing. And right now, I am at the processing stage. The studio needed some clean up and neatening too. So I went through my backlog of printed fabrics, and liberally placed as many pieces in the steam pile as possible. I got through most of it. I have one more soak and boil, and I will be done for a while. Phew.

I boil fabrics, I prefer it. I am an apartment dweller and we do not have a washer and drier. It is just easier to soak and boil fabric, if you ask me. 

While sorting through my back log, I came across this gem, it is a ‘rag’ or trial piece. A piece of fabric where I try out dye viscosity, stamp ideas, ghost printing, whatever crosses my mind. I curate these pieces and tuck them away from myself judiciously. 🙂

I think it will lend itself nicely to embroidery! …Do I feel an embroidery fit coming on?

I came across this print, featuring a Loggerhead Shrike. I drew this bird, originally, from the pages of Birder’s World magazine. I have used this image in so many different and varying pieces, I love working with the same image over time and in series. This Shrike print was featured in a quilt seen in the link above.

And I have a Speed Print session drip drying in the shower. The tiles make that snapshot a bit yellow, but I assure you, the colors are much more bright and snappy than what you can see here.

You know, this is part of processing!

Considering Color and Placement

In learning to use the concepts Carol and I present in Playful Fabric Printing, I have done a lot of experimentation (we both have). In retrospect, as I ponder  my approach to using dye paste and printing as is described in our new book, I would say, at first I was exuberant, I threw caution to the wind, I tried every combination of color and value. And I made many printing errors and color missteps in the process. All of this experimentation has had the effect of helping me build color preferences and forge an understanding of how value adds a visual pop to a print.

In Playful Fabric Printing, we illustrate how to mix color in four gradations, Dark, Medium, Light and Pale (Pale is my favorite). In the above prints, (using this Kit), the purple print uses color much more judiciously than the right red brown print. For one, purple and orange are complementary colors, they reside opposite one another on the color wheel. Because of this, the color sizzles, the purple and orange push one another around, seeking dominance. Also, where the purple is a Medium, the orange is a combo of Pale and Light values, which adds to the zing.

The red brown print is quite nice, but the color choice is a bit flat. These colors are analogous and close relatives in the color wheel. A more effective background color, one that pushes the daisies to the forefront of the design would make this print even better. I am not saying that you ought to work on opposing sides of the color wheel in order to make a great print, though. Rather, a cleaner color choice within the analogous range or a more effective use of value might help propel this design forward.

These two prints, (using this Kit) are both quite pleasing, in my opinion. The differences in color choice are quite interesting. The left most prints’ background is a crisp cheddar while the print on the right is an earthen ochre. The print on the left is bright and chipper, with its flash of light green, while the print on the right has a bit more muscle. Would I use them in the same quilt? Perhaps. It would depend on their fellows. Just looking at them side by side though, the print at right makes me want to create a quilt top with an autumn appeal, and the two would not go well together, if that were to be the goal.

I am happy to say, all the the experimentation I have done has lead me to a more purposeful and considered use of color. Being exuberant has helped me to understand the difference between printing green on top of a crisp yellow-even before I apply dye paste to tool and then print the cloth. Which is why I encourage you to play, experiment and try out every combination you think up.

An Exciting Reveal: Crafting a Life LLC, Carol Soderlund and Melly Testa

It has been pretty quiet here and today is the day to break that silence.

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A project I have been working on, with my good friend Carol Soderlund, is coming to fruition. And better still, we can now reveal, we are working with Pokey Bolton and Crafting a Life, LLC to bring this project to life!

We are writing a book on multicolor printing using Procion MX dye, our favorite medium! My smile is so big, I can hardly stand it.

Carol and I are both fiends for color, we love quilting, cloth, printing and motif making. And we seek to lure you into our printed fold! In writing this book, we strive to present a seamless and easily approachable foray into printing cloth and using it-in your next quilt. (I would love to go on making puns, but, I will stop there. It gets tiring!) But it is true. Carol and I have been ironing out the descriptives to some pretty awesome techniques! (The puns!!!)

Soon, some time soon, we will have a printed book to show for our efforts. And Crafting a Life, LLC is printing our book. Can I say, OMG? Pinch me, please! 

We are all quite excited to tell you about this project!!

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This book will discuss motif making, loose and formal repeat printing and many other printing techniques. And it will act as a printers workbook. 

The materials used to print the cloth are readily available; carving rubber, fun foam, stencil plastic and Thermofax screens. We present a simple method of working with color and gradation that is both unique and accessible. Basically, we have removed the learning curve related to mixing and using color and set the stage for you to begin printing your own unique textile designs with ease.

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We’ve been diligent in finding solutions for those who have little space, but are still drawn to expressing themselves creatively by printing unique and personalized cloth. And we present methods to enable you to print yardage too. 

Fabrics combined with commercial fabrics

To say this makes me happy is an understatement. To work with Carol is an honor. To have finally figured out how to print in repeat without a fancy studio or special equipment? Priceless. The fact that Crafting a Life, LLC and Pokey are supporting our efforts by printing, what I believe will be, hope will be, the surface design book of a generation? This is a complete and total blessing.

Thank you Pokey.

As we come closer to day when you can hold this book in your hands, we hope you will visit our blogs and social media accounts. I will be printing and piecing a quilt top as blog content, with updates to my personal FB, my Melanie Testa-Artist page and my Instagram page.

Follow Carol’s blog, Living Color, here. FB. Insta

Read Pokey’s Ponderings, and her post about Publishing Again. FBInsta